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Ink marks on empty dreams

I am a footstep on the sands of time, I am an ink mark on an empty paper, without stanzas, without rhymes

Feminist

madonna-feminists

The Feminist theory is support of equality for women and men. Although all feminists strive for gender equality, there are various ways to approach this theory, including liberal feminism, socialist feminism, and finally radical feminism. Let’s take a look at the basic feminist ideas and various approaches to achieving gender equality.

Basic Feminist Ideas:

People who consider themselves feminist (both male and female) disagree on many things. That being said, most feminist agree on five basic principles:

  • Feminists believe in working to increase equality. Feminist thought links ideas to action, insisting we should push for change toward gender equality (and not just talk about it).
  • Feminists also believe in expanding human choice, the idea that both men and women should be able to develop their human traits, even if those go against the status quo. If a woman wants to be a mechanic, she should have every right and opportunity to do so.
  • Another feminist principle, eliminating gender stratification, proposes that laws and cultural norms that limit the income, educational, and job opportunities for women should be opposed.
  • The final two principles are fairly straightforward: ending sexual violence and promoting sexual freedom – that women should have control over their sexuality and reproduction.

Liberal Feminism

Liberal feminism is rooted in classic liberal thinking that individuals should be free to develop their own talents and pursue their own interests. This approach sees gender inequalities as rooted in the attitudes of our social and cultural institutions. Liberal feminists do not see women’s equality as requiring a reorganization of society, but they do seek to expand the rights and opportunities of women.

A main focus is protecting equal opportunities for women through legislation. A big step forward for the agenda of liberal feminists was the passage of the Equal Rights Amendment, which in part states that Equality of rights under the law shall not be abridged by the United States or by any State on account of sex.

Socialist Feminism

Socialist feminism evolved from the ideas of Karl Marx, who blamed capitalism for increasing patriarchy by concentrating power in the hands of a small number of men. One main tenet is that the family form created by capitalism (women staying home, while men work) is the main source of women’s inequality, and that replacing the traditional family can only come about through a socialist revolution that creates a government to meet the needs of the family.

Feminists in history

The Suffragettes and Emmeline Pankhurst

Suffragettes were members of women’s organisations in the late-19th and early-20th centuries which advocated the extension of the “franchise”, or the right to vote in public elections, to women. It particularly refers to militants in the United Kingdom such as members of the Women’s Social and Political Union (WSPU). Suffragist is a more general term for members of the suffrage movement.

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The term suffragette is particularly associated with activists in the British WSPU, led by Emmeline Pankhurst, who were influenced by Russian methods of protest such as hunger strikes. Although the Isle of Man had enfranchised women who owned property to vote in parliamentary (Tynwald) elections in 1881, New Zealand was the first self-governing country to grant all women the right to vote in 1893 when women over the age of 21 were permitted to vote in parliamentary elections. Women in South Australia achieved the same right and became the first to obtain the right to stand for parliament in 1895.

 

Simone de Beauvoir

Simone de Beauvoir was probably best known as a novelist, and a feminist thinker and writer, but she was also an existentialist philosopher in her own right and, like her lover Sartre, thought a lot about the human struggle to be free. As a philosopher trained in the analytic tradition, I have to admit, I don’t know a whole lot about existentialism, so I’m curious to discover on this week’s show with guest Shannon Mussett how Beauvoir’s feminist thought relates to her existentialist philosophy.

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Beauvoir’s most famous work was The Second Sex from 1949, a hugely influential book which laid the groundwork for second-wave feminism. Where first-wave feminism was concerned with women’s suffrage and property rights, the second wave broadened these concerns to include sexuality, family, the workplace, reproductive rights, and so on. All that started with Beauvoir’s The Second Sex, where Beauvoir outlines the ways in which woman is perceived as “other” in a patriarchal society, second to man, which is considered—and treated as—the “first” or default sex.

One of the most famous lines from that work is: “One is not born, but rather becomes, a woman.” What I think Beauvoir means by this is that the roles we associate with women are not given to them in birth, by virtue of their biology, but rather are socially constructed. Women are taught what they’re supposed to be in life, what kind of roles they can or can’t perform in virtue of being of “the second sex.” Today we might express this idea using the distinction between sex and gender, where one’s sex is just a biological fact, but one’s gender identity is socially constructed. In 1949, this was a truly radical idea.

Drawing on ancient creation myths and the Bible, Simone de Beauvoir shows how women are labeled as the Other by being viewed as secondary, less perfect beings in relation to men. In creation myths, like the ancient Greek story of Helios and Semele, the sun and the moon were usually personified as a male god and a female goddess, respectively, with the female figure representing darkness. In Genesis, Adam and Eve reside in the Garden of Eden until Eve eats the forbidden fruit, implying an association between women and evil. Women in these stories embody a dark, sinful side of being. Another example presenting the Other as the half of being that transgresses or goes astray is the Ancient Greek myth of Pandora. According to the story, Pandora is the first woman on earth. Zeus, the ruling god, gives her a sealed jar containing all the evils of the world for safekeeping. Yet, Pandora opens the jar when she gives in to her own unrelenting curiosity. As a result, evil spills out into the world and Zeus blames Pandora for it. In this myth, the woman is portrayed as she who gives in to weakness and is responsible for bringing evil into the world. By using literary evidence, Simone de Beauvoir establishes the perceived role of inferiority into which men have cast women throughout history by defining that Other as the darker, inferior side of humanity.

Her work then focuses on the struggle women face in liberating themselves economically, politically, and sexually from the status of Other. Given the mistrust of women in the cultural imagination, the liberation of women is a difficult undertaking. Simone de Beauvoir believes a woman should embrace her identity as both a woman and as a human being. The concept of women and men being equal, while still different, was revolutionary in terms of the history of feminist theory. In spite of this, many women still believe they must act like men in order to gain a position of influence in the public sphere. For example, women in politics tend to wear pantsuits and act tough so that men will take them seriously. Simone de Beauvoir firmly rejects the notion that women must emulate men in order to be treated as equals or to be in a position of power because she believes that the biological difference between men and women must be acknowledged: “Women simply are not men” (The Second Sex, xiv). She discourages women, especially feminists, from getting caught up in this abstract notion that women are human beings and therefore are not women.

However, she also discourages women from embracing their status as the Other in society and remaining complacent towards men. Continuing the example of women in politics, some female interns use their status as the sex or the Other to have men assist them in reaching their goals by sleeping with powerful politicians. There are countless stories wherein a woman aspires to a smaller goal than a man normally would and then uses her stereotypical role as a sexual object to have a man in power make her goal become a reality for her. In a less extreme way, a woman, by acting infantile, has a man take pity on her and ease her path towards relative success because it makes him feel like an essential or a positive being, since he is making a difference in her life. Simone de Beauvoir condemns women who remain attached to the benefits of being inferior to men because they do not have responsibility for their own lives and futures: “It is an easy road; on it one avoids the strain involved in undertaking an authentic existence… Woman may fail to lay claim to the status of subject because… she is often very well pleased with her role as the Other” (The Second Sex, xxi). Women must resist the temptation to remain inferior by acting docile, complacent, or infantile.

Eleanor Roosevelt

Anna Eleanor Roosevelt was an American politician, diplomat and activist. She was the longest-serving First Lady of the United States, having held the post from March 1933 to April 1945 during her husband President Franklin D. Roosevelt‘s four terms in office, and served as United States Delegate to the United Nations General Assembly from 1945 to 1952. President Harry S. Truman later called her the “First Lady of the World” in tribute to her human rights achievements.

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Roosevelt was a member of the prominent American Roosevelt and Livingston families and a niece of President Theodore Roosevelt. She had an unhappy childhood, having suffered the deaths of both parents and one of her brothers at a young age. At 15, she attended Allenwood Academy in London and was deeply influenced by its feminist headmistress Marie Souvestre. Returning to the U.S., she married her fifth cousin once removed, Franklin Delano Roosevelt, in 1905. The Roosevelts’ marriage was complicated from the beginning by Franklin’s controlling mother, Sara, and after Eleanor discovered her husband’s affair with Lucy Mercer in 1918, she resolved to seek fulfillment in a public life of her own. She persuaded Franklin to stay in politics after he was stricken with debilitating polio in 1921, which cost him the normal use of his legs, and Roosevelt began giving speeches and appearing at campaign events in his place. Following Franklin’s election as Governor of New York in 1928, and throughout the remainder of Franklin’s public career in government, Roosevelt regularly made public appearances on his behalf, and as First Lady while her husband served as President, she significantly reshaped and redefined the role of that office during her own tenure and beyond, for future First Ladies.

Though widely respected in her later years, Roosevelt was a controversial First Lady at the time for her outspokenness, particularly her stance on racial issues. She was the first presidential spouse to hold regular press conferences, write a daily newspaper column, write a monthly magazine column, host a weekly radio show, and speak at a national party convention. On a few occasions, she publicly disagreed with her husband’s policies. She launched an experimental community at Arthurdale, West Virginia, for the families of unemployed miners, later widely regarded as a failure. She advocated for expanded roles for women in the workplace, the civil rights of African Americans and Asian Americans, and the rights of World War II refugees.

Eleanor Roosevelt’s evolution as a feminist forms an interesting parallel to the development of the woman’s movement in the twentieth century. Eleanor died the year before Betty Freidan’s The Feminine Mystique discussed “the problem that has no name.” By reviewing how both Eleanor and other leaders supported women’s inclusion in American society as full political and economic partners in the years before 1963, teachers and students can appreciate the various forms and strategies supporters of women’s rights used before the modern feminist movement captured America’s attention.

Coco Chanel

Chanel changed the face of fashion by challenging gender restrictions in women’s clothing.

Famous for rebelling through fashion, Gabrielle “Coco” Chanel broke down barriers in the fashion industry for women. She used masculine wardrobe to express herself. Taking the comfort of men’s clothing, she produced styles for women. Not all of her best inventions were instant classics. There were times when society didn’t understand or appreciate them until much later; however, Chanel is a recognized name, today.

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Where Comfort meets Beauty

When Chanel was only Gabrielle or her nick-name “Coco,” men dominated the fashion business. Who knew that the key to her success was as simple as giving women the unusual ability to function in their own apparel? By altering the construction of women’s clothing to fit their bodies and not merely to attract the gaze of men, she achieved instant clientele from women.

Coco took men’s clothing and transformed it for women. Likewise, she took women’s clothing and made it flexible like men’s. Before Chanel, pants were not acceptable for women, but one cannot move well in a dress. The corset was another common item in a woman’s closet, but Coco challenged it by designing relaxing yet elegant dresses. Women wore large hats, causing an array of issues; therefore, she made them in smaller sizes like those for men. By taking men’s designs and revamping them for women, she prospered from social rebellion. She created both for corporate and social situations.

Fabric, Fabric, Fabric!

Jersey fabric was Coco’s first significant choice. This wasn’t embraced, immediately. At the time, it was used for items such as hosiery. As an ordinary fabric, it wasn’t attractive for runway models. Nonetheless, due to a variety of reasons, it became a success. There were limited options during the war and women were in the workforce; therefore, Jersey turned out to be perfect, both in alleviation for women’s bodies and for Chanel’s style. Jersey made the working women capable of doing the physical labor. Meanwhile, Chanel was able to make it enticing. Jersey was not only approved, but adored.

The Chanel Suit

Coco altered women’s suits for flexibility, as well. In typical Chanel fashion, the tight-fit design was out the window: No shoulder-pads, no emphasis for the bust, and the neckline allows the woman to breathe. Unlike most suits, the pockets were not only to look pretty, but to be used. She went the extra mile to ensure that her customers would be at ease in daily use; therefore, suits were to be altered as much as it took for each individual to be able to move freely.

“The Little Black Dress”

In 1919, Coco’s longtime believed soul-mate “Boy” Capel died in a car accident. After slipping into a deep grief, she had her housekeepers turn her room black. Coco dressed in black, as well. It only lasted about a minute, however. As soon as she saw the finished room, she had her bed moved to another location to get away from it until it was changed back:

“..She spent only a few minutes, however, in this mausoleum. ‘Quick, Joseph, get me out of this tomb and tell Marie to make me up a bed somewhere else,’ she told the butler,”(Madsen, p.105, para.4).

Chanel’s depression ultimately inspired one of her best-known creations, The Little Black Dress. It was designed to be appropriate for any occasion or class. Coming from an orphanage, she wanted to make something for the lower-class to wear that would blend in with the wealthy. Since the dress could be worn to weddings or funerals, its versatility made it popular, much later on. Breakfast at Tiffany’s was released in 1961 in which the star Audrey Hepburn wears a Little Black Dress. It was because of Hepburn that it became a classic, but Chanel invented it.

“Fashion changes, but style endures.”

“Great loves too must be endured.”

“In order to be irreplaceable one must always be different.”

Betty Friedan

Betty Friedan was a writer, feminist and women’s rights activist Betty Friedan wrote The Feminine Mystique (1963) and co-founded the National Organization for Women.

Betty Friedan

With her book The Feminine Mystique (1963), Friedan broke new ground by exploring the idea of women finding personal fulfillment outside of their traditional roles. She also helped advance the women’s rights movement as one of the founders of the National Organization for Women.

A bright student, Friedan excelled at Smith College, graduating in 1942 with a bachelor’s degree in psychology. Although she received a fellowship to study at the University of California, Berkeley, she only spent a brief time there before relocating in the mid-1940s to New York City. In New York, Friedan worked for a short time as a reporter. In 1947, she married Carl Friedan. The couple went on to have three children: Daniel, who was born in 1948; Jonathan, born in 1952; and Emily, born in 1956.

The “Feminine Mystique”

After the Friedans’ first child, Daniel, was born in 1948, Betty Friedan returned to work. She lost her job, however, after she became pregnant with her second child, Jonathan. Friedan then stayed home to care for her family, but she was restless as a homemaker and began to wonder if other women felt the same way she did—that she was both willing and able to be more than a stay-at-home mom. To answer this question, Friedan surveyed other graduates of Smith College. The results of her research formed the basis of her book The Feminine Mystique, published in 1963, throughout which Friedan encourages women to seek new opportunities for themselves.

The book quickly became a sensation, creating a social revolution by dispelling the myth that all women wanted to be happy homemakers, and marking the start of what would become Friedan’s incredibly significant role in the women’s rights movement. The work is also credited with spurring second-wave feminism in the United States.

Co-Founding NOW, NARAL and the National Women’s Political Caucus

Friedan did more than write about confining gender stereotypes—she became a force for change. Pushing for women to have a greater role in the political process, she co-founded the National Organization for Women in 1966, subsequently serving as its first president. She also fought for abortion rights by establishing the National Association for the Repeal of Abortion Laws (now known as NARAL Pro-Choice America) in 1969. Additionally, with other leading feminists such as Gloria Steinem and Bella Abzug, Friedan helped create the National Women’s Political Caucus in 1971.

 

Gloria Steinem

Born in Ohio, Gloria Steinem, 82, graduated in 1956 and became a writer. By 1972, when she founded Ms magazine, she was known as a political activist and feminist organiser. She is the author of many books and essays, including the bestselling My Life On The Road. Woman, her documentary series about violence against women, will air on Viceland UK on 8 March. She lives in New York.

Gloria Steinem

When people ask me why I still have hope and energy after all these years, I always say: Because I travel. Taking to the road—by which I mean letting the road take you—changed who I thought I was. The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories—in short, out of our heads and into our hearts.

Gloria Steinem had an itinerant childhood. When she was a young girl, her father would pack the family in the car every fall and drive across country searching for adventure and trying to make a living. The seeds were planted: Gloria realized that growing up didn’t have to mean settling down. And so began a lifetime of travel, of activism and leadership, of listening to people whose voices and ideas would inspire change and revolution.

My Life on the Road is the moving, funny, and profound story of Gloria’s growth and also the growth of a revolutionary movement for equality—and the story of how surprising encounters on the road shaped both. From her first experience of social activism among women in India to her work as a journalist in the 1960s; from the whirlwind of political campaigns to the founding of Ms. magazine; from the historic 1977 National Women’s Conference to her travels through Indian Country—a lifetime spent on the road allowed Gloria to listen and connect deeply with people, to understand that context is everything, and to become part of a movement that would change the world.

In prose that is revealing and rich, Gloria reminds us that living in an open, observant, and “on the road” state of mind can make a difference in how we learn, what we do, and how we understand each other.”

If you could edit your past, what would you change?
Since hostile people still call me a former Playboy Bunny, even at 82, I probably shouldn’t have done that in my youth, even to write an exposé. And since a couple of times they’ve also referred to me as a former CIA agent, because I went to two Soviet-era communist youth festivals, I probably shouldn’t have done that, either. Yet if I hadn’t done both, I might have judged other people by such empty symbols, too.”

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Bell Hooks

Gloria Jean Watkins (born September 25, 1952), better known by her pen name bell hooks, is an American author, feminist, and social activist. The name “bell hooks” is derived from that of her maternal great-grandmother, Bell Blair Hooks.

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The focus of hooks’ writing has been the intersectionality of race, capitalism, and gender, and what she describes as their ability to produce and perpetuate systems of oppression and class domination. She has published over 30 books and numerous scholarly articles, appeared in documentary films, and participated in public lectures. She has addressed race, class, and gender in education, art, history, sexuality, mass media, and feminism.

Hooks’ teaching career began in 1976 as an English professor and senior lecturer in Ethnic Studies at the University of Southern California. During her three years there, Golemics, a Los Angeles publisher, released her first published work, a chapbook of poems titled “And There We Wept” (1978), written under her pen name, “bell hooks”. She adopted her maternal great-grandmother’s name as a pen name because her great-grandmother “was known for her snappy and bold tongue, which [she] greatly admired”. She put the name in lowercase letters “to distinguish [herself from] her great-grandmother.” She said that her unconventional lowercasing of her name signifies what is most important is her works: the “substance of books, not who I am.”

She taught at several post secondary institutions in the early 1980s, including the University of California, Santa Cruz and San Francisco State University. South End Press published her first major work, Ain’t I a Woman?: Black Women and Feminism in 1981, though it was written years earlier, while she was an undergraduate student. In the decades since its publication, Ain’t I a Woman? has gained widespread recognition as an influential contribution to feminist thought.

Ain’t I a Woman? examines several recurring themes in her later work: the historical impact of sexism and racism on black women, devaluation of black womanhood, media roles and portrayal, the education system, the idea of a white-supremacistcapitalistpatriarchy, the marginalization of black women, and the disregard for issues of race and class within feminism. Since the publication of Ain’t I a Woman?, she has become eminent as a leftist and postmodern political thinker and cultural critic. She targets and appeals to a broad audience by presenting her work in a variety of media using various writing and speaking styles. As well as having written books, she has published in numerous scholarly and mainstream magazines, lectures at widely accessible venues, and appears in various documentaries.

Barbara Walters

From 1976 forward, Walters became a pioneer for women in journalism. She faced much criticism from many of her male counterparts, but she persevered and scored some of the most exclusive interviews of all time. Not only was she a professional, but she was a dedicated mother. Besides being the first female news anchor of an evening broadcast, she earned a salary that was renowned for a women in broadcast news. She produced and co-hosted the show, 20-20. Her interviews of politicians and entertainers became legendary on the Barbara Walters Specials. Many of those icons would not be questioned by anyone else but Walters herself.

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In Walters’s more recent years, she developed and co-hosted The View, which includes an all-women cast who discuss the most important issues of the day. It is dubbed the “Place to be Heard.” On this show, the cast’s varied opinions are noticed and reported daily, sometimes with backlash but most often, all sides of the story are presented, as the view of each cast member is quite diverse.

In 2013, Walters retired, but not without paving the way for many other women journalists, or women in related fields. As she aged with the industry, she continued to open doors for women conquering on-air ageism as well. Other journalists follow in her footsteps like Diane Sawyer, Katie Couric, and Lesley Stahl. It is about being smart, educated, and exceptional at the job, and not about the age or gender you are when you are doing it. At 60, I appreciate that advancement in the communications field. I enjoy watching and hearing the views of women near my age in deserved, successful positions!

As in many fields, there are still gender imbalances in the communications-related jobs. However, because of icons like Walters, many popular shows today are practically run by women. The Dr. Phil Show is staffed almost entirely by females. More women are creating shows, like Orange is the New Black, by Jenji Cohan. Women broadcasters are now seen regularly on all stations, where they report the news and/or offer their educated opinions.

There is still room for growth, but it is comforting to see women offering their insight in sports media. During the last Olympics, I thoroughly enjoyed watching Meredith Vieira host the televised show – the first woman to do so. Not too many years ago, women were not allowed in the locker rooms or on the sports fields. Progress is slow, but it is being made.

For me personally, while Walters’s career blossomed, I entered college and majored in English and Communications. It turned out my high school hours at the printer paid off, and my talents and interests were best suited to theproduction side of print journalism. Before becoming an English teacher, I had a 23-year lucrative career in the publishing and advertising industries.

Barbara Walters gave this ‘70s teenager a mentor to admire at a time when women were not highly-regarded in the communications field. I miss hearing her ideas, but as a woman approaching retirement age myself, one of her later quotes, after more than 50-years in the industry, makes me smile.

“I do not want to appear on another program or climb another mountain. I want instead to sit on a sunny field and admire the very gifted women—and OK, some men too—who will be taking my place.”

You, Barbara Walters, in my eyes, are irreplaceable.

Coretta Scott King

Coretta Scott King was an American author, activist, civil rights leader, and the wife of Martin Luther King, Jr. from 1953 until his death in 1968. Coretta Scott King helped lead the Civil Rights Movement in the 1960s. King was an active advocate for African-American equality. King met her husband while in college, and their participation escalated until they became central to the movement. In her early life, Coretta was an accomplished singer, and she often incorporated music into her civil rights work.

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King played a prominent role in the years after her husband’s 1968 assassination when she took on the leadership of the struggle for racial equality herself and became active in the Women’s Movement. King founded the King Center and sought to make his birthday a national holiday. King finally succeeded when Ronald Reagan signed legislation which established Martin Luther King, Jr. Day. She later broadened her scope to include both opposition to apartheid and advocacy for LGBT rights. King became friends with many politicians before and after Martin Luther King’s death, most notably John F. Kennedy, Lyndon B. Johnson, and Robert F. Kennedy. John F. Kennedy’s phone call to her during the 1960 election was what she liked to believe was behind his victory.

In August 2005, King suffered a stroke which paralyzed her right side and left her unable to speak; five months later she died of respiratory failure due to complications from ovarian cancer. Her funeral was attended by some 10,000 people, including four of five living US presidents. She was temporarily buried on the grounds of the King Center until being interred next to her husband. She was inducted into the Alabama Women’s Hall of Fame and was the first African-American to lie in State in the Georgia State Capitol.[1] King has been referred to as “First Lady of the Civil Rights Movement”

During Kennedy’s presidency, she and her husband had come to respect him and understood his reluctance at times to get involved openly with civil rights. In April 1962, Coretta served as delegate for the Women’s Strike for Peace Conference in Geneva, Switzerland. Martin drove her to the hospital on March 28, 1963, where King gave birth to their fourth child Bernice. After King and her daughter were due to come home, Martin rushed back to drive them himself. After her husband’s arrest on April 12, 1963, King tried to make direct contact with President Kennedy at the advisement of Wyatt Tee Walker, and succeeded in speaking with Robert F. Kennedy. President Kennedy was with his father Joseph P. Kennedy, Sr, who was not feeling well.In what has been noted as making Kennedy seem less sympathetic towards the Kings, the president redirected Mrs. King’s call to the White House switchboard.

Martin Luther King, Jr. was shot and killed in Memphis, Tennessee on April 4, 1968. She learned of the shooting after being called by Jesse Jackson when she returned from shopping with her eldest child Yolanda. King had difficulty settling her children with the news that their father was deceased. She received a large number of telegrams, including one from Lee Harvey Oswald’s mother, which she regarded as the one that touched her the most.

In an effort to prepare her daughter Bernice, then only five years old, for the funeral, she tried to explain to her that the next time she saw her father he would be in a casket and would not be speaking.When asked by her son Dexter when his father would return, King lied and told him that his father had only been badly hurt. Senator Robert Kennedy ordered three more telephones to be installed in the King residence for King and her family to be able to answer the flood of calls they received and offered a plane to transport her to Memphis. Coretta spoke to Kennedy the day after the assassination and asked if he could persuade Jacqueline Kennedy to attend her husband’s funeral with him.

Robert Kennedy promised her that he would help “any way” he could. King was told to not go ahead and agree to Kennedy’s offer by Southern Christian Leadership Conference members, who told her about his presidential ambitions. She ignored the warnings and went along with his request. On April 5, 1968, King arrived in Memphis to retrieve her husband’s body and decided that the casket should be kept open during the funeral with the hope that her children would realize upon seeing his body that he would not be coming home. Mrs. King called photographer Bob Fitch and asked for documentation to be done, having known him for years. On April 7, 1968, former Vice President Richard Nixon visited Mrs. King and recalled his first meeting with her husband in 1955. Nixon also went to Mrs. King’s husband’s funeral on April 9, 1968, but did not walk in the procession. Nixon believed participating in the procession would be “grandstanding.”

On April 8, 1968, Mrs. King and her children headed a march with sanitation workers that her husband had planned to carry out before his death. After the marchers reached the staging area at the Civic Center Plaza in front of Memphis City Hall, onlookers proceeded to take pictures of King and her children but stopped when she addressed everyone at a microphone. She said that despite the Martin Luther King, Jr. being away from his children at times, “his children knew that Daddy loved them, and the time that he spent with them was well spent.”[ Prior to Martin’s funeral, Jacqueline Kennedy met with her. The two spent five minutes together and despite the short visit, Coretta called it comforting. King’s parents arrived from Alabama. Robert Kennedy and his wife Ethel came, the latter being embraced by Mrs. King. Mrs. King and her sister-in-law Christine King Farris tried to prepare the children for seeing Martin’s body. With the end of the funeral service, Mrs. King led her children and mourners in a march from the church to Morehouse College, her late husband’s alma mater.

Maya Angelou

An acclaimed American poet, storyteller, activist, and autobiographer, Maya Angelou was born Marguerite Johnson in St. Louis, Missouri. Angelou has had a broad career as a singer, dancer, actress, composer, and Hollywood’s first female black director, but is most famous as a writer, editor, essayist, playwright, and poet. As a civil rights activist, Angelou worked for Dr. Martin Luther King Jr. and Malcolm X. She was also an educator and served as the Reynolds professor of American Studies at Wake Forest University. By 1975, wrote Carol E. Neubauer in Southern Women Writers: The New Generation, “Angelou had become recognized not only as a spokesperson for blacks and women, but also for all people who are committed to raising the moral standards of living in the United States.”

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Her indomitable stance against racism, injustice and rape resonated with people from all walks of life.

Since the death of Maya Angelou last week, the scale of tributes pouring in shows just how much of a cultural idol she had become, but she did not stand for idolisation.

Her whole purpose was to express her own vulnerable humanity through a series of painfully honest autobiographies so that others would feel empowered to express their own.

Poet, activist and writer, Maya Angelou was probably best known for her first memoir, Why the Caged Bird Sings, published in 1969, for delivering the inaugural poem at Bill Clinton’s swearing-in ceremony in 1993 and for receiving the Presidential Medal of Freedom, America’s highest civilian honor, from President Obama in 2011.

She did not shy away from politics throughout her life, seeking out friendships with prominent activists such as Martin Luther King and Malcolm X.

Indeed she did not shy away from anything.

 

PHENOMENAL WOMAN
by Maya Angelou

Pretty women wonder where my secret lies
I’m not cute or built to suit a fashion model’s size
But when I start to tell them
They think I’m telling lies.
I say,
It’s in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It’s the fire in my eyes
And the flash of my teeth,
The swing of my waist,
And the joy in my feet.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them,
They say they still can’t see.
I say
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Now you understand
Just why my head’s not bowed.
I don’t shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It’s in the click of my heels,
The bend of my hair,
The palm of my hand,
The need of my care,
‘Cause I’m a woman
Phenomenally.
Phenomenal woman,
That’s me

Alice Walker

Alice Malsenior Walker is an American novelist, short story writer, poet, and activist. She wrote the critically acclaimed novel The Color Purple (1982) for which she won the National Book Award and the Pulitzer Prize for Fiction. She also wrote the novels Meridian (1976) and The Third Life of Grange Copeland (1970), among other works.

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“Womanist is to feminist as purple is to lavender” -Alice Walker

Womanism is a feminist term coined by Alice Walker. It is a reaction to the realization that “feminism” does not encompass the perspectives Black women. It is a feminism that is “stronger in color”, nearly identical to “Black Feminism”. However, Womanism does not need to be prefaced by the word “Black”, the word automatically concerns black women. A Womanist is a woman who loves women and appreciates women’s culture and power as something that is incorporated into the world as a whole. Womanism addresses the racist and classist aspects of white feminism and actively opposes separatist ideologies. It includes the word “man”, recognizing that Black men are an integral part of Black women’s lives as their children, lovers, and family members. Womanism accounts for the ways in which black women support and empower black men, and serves as a tool for understanding the Black woman’s relationship to men as different from the white woman’s. It seeks to acnowledge and praise the sexual power of Black women while recognizing a history of sexual violence. This perspective is often used as a means for analyzing Black Women’s literature, as it marks the place where race, class, gender, and sexuality intersect. Womanism is unique because it does not necessarily imply any political position or value system other than the honoring of Black women’s strength and experiences. Because it recognizes that women are survivors in a world that is oppressive on multiple platforms, it seeks to celebrate the ways in which women negotiate these oppressions in their individual lives.

 

Hillary Rodham Clinton

Hillary Diane Rodham Clinton is an American politician who was the First Lady of the United States from 1993 to 2001, U.S. Senator from New York from 2001 to 2009, 67th United States Secretary of State from 2009 to 2013, and the Democratic Party‘s nominee for President of the United States in the 2016 election.

Born in Chicago, Illinois and raised in the Chicago suburb of Park Ridge, Clinton graduated from Wellesley College in 1969 and earned a J.D. from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married Bill Clinton in 1975. In 1977, she co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Rose Law Firm the following year. As First Lady of Arkansas, she led a task force whose recommendations helped reform Arkansas’s public schools.

As First Lady of the United States, Clinton was an advocate for gender equality and healthcare reform. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led to her issuing a statement reaffirming her commitment to the marriage. In 2000, Clinton was elected as the first female Senator from New York. She was re-elected to the Senate in 2006. Running for president in 2008, she won far more delegates than any previous female candidate, but lost the Democratic nomination to Barack Obama.

As Secretary of State in the Obama administration from 2009 to 2013, Clinton responded to the Arab Spring, during which she advocated the U.S. military intervention in Libya. She helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country’s nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action agreement in 2015. Leaving office after Obama’s first term, she wrote her fifth book and undertook speaking engagements.

Clinton made a second presidential run in 2016. She received the most votes and primary delegates in the 2016 Democratic primaries and formally accepted her party’s nomination for President of the United States on July 28, 2016 with vice presidential running mate Senator Tim Kaine. She became the first female candidate to be nominated for president by a major U.S. political party. Despite winning a plurality of the national popular vote, Clinton lost the electoral vote and the presidency to her Republican opponent Donald Trump. Following her loss, in 2017 she stated that she decided to focus on being a self-described “activist citizen”

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Americans have been fighting about Hillary Clinton for more than 25 years. In her 2003 book Living History, she writes about realizing, during her husband’s first presidential campaign, that her life was being scrutinized in ways she couldn’t control.

“I was called a ‘Rorschach test’ for the American public,” she writes. “I was being labeled and categorized because of my positions and mistakes, and also because I had been turned into a symbol for women of my generation. That’s why everything I said or did — and even what I wore — became a hot button for debate.”

In fact, Hillary Clinton’s introduction to life as “a symbol for women of my generation” may have come through her name. After her husband lost reelection in 1980, she writes in Living History, “a few of our friends and supporters came to talk to me about using ‘Clinton’ as my last name.” She’d kept her maiden name after her 1975 marriage to Bill, “a small (I thought) gesture to acknowledge that while I was committed to our union, I was still me.”

“I was born right when everything was changing for women,” she writes. “Everything I am, everything I’ve done, so much of what I stand for flows from that happy accident of fate.”

But she was still born at a time when men dominated American politics, and over her long lifetime, that hasn’t changed very much. “Historically, women haven’t been the ones writing the laws or leading the armies and navies,” she writes. “We’re not the ones up there behind the podium, rallying crowds, uniting the country. It’s men who lead. It’s men who speak. It’s men who represent us to the world and even to ourselves.”

“That’s been the case for so long that it has infiltrated our deepest thoughts,” she explains. “It’s not customary to have women lead or even to engage in the rough-and-tumble of politics. It’s not normal — not yet. So when it happens, it often doesn’t feel quite right. That may sound vague, but it’s potent. People cast their votes based on feelings like that all the time.”

Pointing out the internalized sexism of the American electorate isn’t revolutionary, but Clinton’s diagnosis is as clear-eyed as any out there. Clinton is clearly a biased observer, of course, but she doesn’t shy away from pointing out the many reasons people have opposed her that have nothing to do with sexism. And there’s something powerful about witness testimony from someone who has been there and seen the knots into which a female politician must tie herself in order to seem likable.

Clinton vents her frustration with the question “Who are you really?” “I’m … Hillary,” she writes. “You’ve seen me in the papers and on your screens for more than twenty-five years. I’ll bet you know more about my private life than you do about some of your closest friends.” Looking back on the tearful moment on the 2008 campaign trail that supposedly “humanized” her, she writes, “I’m a little beleaguered at the reminder that, yet again, I — a human — required ‘humanizing’ at all.”

She describes consulting with a linguistic expert “after hearing repeatedly that some people didn’t like my voice.” He told her that she needed to keep her voice “soft and low” even when the crowd started shouting, because women couldn’t get away with yelling from the podium — but, pressed to offer an example of a female politician who had followed this advice, he came up empty.

“Other women will run for President,” Clinton writes, “and they will be women, and they will have women’s voices. Maybe that will be less unusual by then. Maybe my campaign will have helped make it that way, and other women will have an easier time. I hope so.”

“On Being a Woman in Politics” isn’t all about sexism — Clinton also writes about how her gender has informed her politics. “Life naturally pushed me” in the direction of issues that affect women and children, she writes. “A young mom interested in policy often ends up working on kids’ issues. A First Lady is often involved with women’s issues. That was okay with me.”

Being a woman has also meant that other women confide in her about their reproductive lives — about birth control, fertility struggles, pregnancy, and abortion. On the last, Clinton is as forceful as she’s been anywhere, and significantly more forceful than she was in 2005, when she called abortion “a sad, even tragic choice to many, many women.”

“At the end of the day, who decides whether a woman gets or stays pregnant,” Clinton asks in What Happened. “A Congressman who has never met her? A judge who has spoken with her for maybe a few minutes?”

“Someone’s got to decide,” she writes. “I say let women decide.”

“In the 1990s, I went to Beijing and I said women’s rights are human rights,” Clinton reminded audiences. Younger voters may not know how controversial that was at the time. But if that statement seems obvious now, it’s in no small part because Clinton had the ovaries to say it out loud then on a prominent international stage.

It took more than a year to get here, but finally Clinton got to be in a debate in which she was directly asked about abortion rights, and she offered a full-throated defense of reproductive rights.

She even reminded audiences that Trump doesn’t just oppose abortion rights but also access to reproductive health care generally: “Donald has said he’s in favor of defunding Planned Parenthood. He even supported shutting the government down to defund Planned Parenthood. I will defend Planned Parenthood.”

When moderator Chris Wallace tried to reframe the issue in terms of “late-term” abortion, a vaguely defined term, Clinton was quite clear exactly why women get these relatively rare abortions.

“I have met with women who toward the end of their pregnancy get the worst news one could get, that their health is in jeopardy if they continue to carry to term or that something terrible has happened or just been discovered about the pregnancy,” she said.

In response, Trump, who seems to take many of his talking points from the Breitbart comments section, demonized women who receive medically necessary abortions by saying, “You can take the baby and rip the baby out of the womb of the mother just prior to the birth of the baby.”

Clinton did not recoil, though, and defended the honor of women whose personal tragedies are being used for demagoguery against women’s rights.

“You should meet with some of the women that I have met with, women I have known over the course of my life. This is one of the worst possible choices that any woman and her family has to make,” Clinton said solemnly.

“I’ve been to countries where governments either forced women to have abortions, like they used to do in China, or forced women to bear children, like they used to do in Romania,” she added, tying the anti-choice politics of this country to the anti-choice policies of more oppressive governments.

Another feminist hot topic came up later, in connection with the release of a tape with Trump’s bragging about sexual assault — and all the women who have since stepped forward and claimed they have been on the receiving end of the very behavior he bragged about.

“At the last debate, we heard Donald talking about what he did to women,” Clinton said, in full lawyer mode. “And after that, a number of women have come forward saying that’s exactly what he did to them.”

She continued, “Now, what was his response? Well, he held a number of big rallies where he said that he could not possibly have done those things to those women because they were not attractive enough for them to be assaulted.”

Clinton went on to offer some quick feminist analysis, saying, “Donald thinks belittling women makes him bigger. He goes after their dignity, their self-worth, and I don’t think there is a woman anywhere who doesn’t know what that feels like.”

To be clear, any male politician who had an opponent such as Trump would likely make the same arguments. But as a woman and a feminist, Clinton was in a perfect position to really dig into this issue. When she said this really is something all women have experience with, it doesn’t feel abstract, as it would for a male politician. She has direct personal experience with this. She has the war stories to back this up.

Just last week it happened to her, when Trump made comments disparaging her looks. Hell, it happened in this debate, when Trump called her a “nasty woman” for daring to sound smarter than him on policy issues — not that it’s all that hard.

What can I say? As a fellow feminist, I’m proud of Hillary Clinton. She could have played it safe, offering minimal defenses of women’s rights but shying away from touchy subjects like abortion, sexual harassment and abuse. She’s ahead in the polls, so the temptation to play not to lose must have been sky-high.

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Instead, Clinton sees the opportunity at this moment, when the country is mesmerized by this snarling and snorting misogynist, to not just win an election but push for feminist gains in the culture at large. She is not content to offer some pablum about how Trump’s words and deeds are inappropriate but has chosen to speak more broadly about how sexual harassment and sexist chatter about women’s bodies is used to put women in their place and reinforce male dominance. She may not use feminist buzzwords, preferring plain language that can reach all audiences, but her point is unmistakable.

 

Ruth Bader Ginsburg

Ruth Bader Ginsburg is an Associate Justice of the Supreme Court of the United States. Ginsburg was appointed by President Bill Clinton and took the oath of office on August 10, 1993. She is the second female justice to be confirmed to the Court (after Sandra Day O’Connor), and one of four female justices to be confirmed (with Sonia Sotomayor and Elena Kagan, who are still serving). Following Justice O’Connor’s retirement, and prior to Justice Sotomayor joining the Court, Ginsburg was the only female justice on the Supreme Court. During that time, Ginsburg became more forceful with her dissents, noted by legal observers and in popular culture. She is generally viewed as belonging to the liberal wing of the Court. Notable majority opinions Ginsburg has authored include United States v. Virginia, Olmstead v. L.C., and Friends of the Earth Inc. v. Laidlaw Environmental Services, Inc.

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Ginsburg was born in Brooklyn, New York to Russian Jewish immigrants. When Ginsburg was a toddler, her older sister died, and shortly before she graduated high school, her mother died. Ginsburg was a wife and mother before starting law school at Harvard, where she was one of the few women in her law school class. Ginsburg transferred to Columbia Law School where she graduated tied for first in her class.

Following law school, Ginsburg turned to academia. She was a professor at Rutgers School of Law–Newark and Columbia Law School, teaching civil procedure as one of the few women in her field. Ginsburg spent a considerable part of her legal career as an advocate for the advancement of gender equality and women’s rights, winning multiple victories arguing before the Supreme Court. She advocated as a volunteer lawyer for the American Civil Liberties Union and was a member of its board of directors and one of its general counsels in the 1970s. In 1980, President Jimmy Carter appointed her to the U.S. Court of Appeals for the District of Columbia Circuit where she served until her elevation to the Supreme Court.

Diane von Furstenberg

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Diane von Furstenberg has long been an outspoken feminist in the fashion world, whose easy-wearing, iconic designs—the wrap dress, of course, which she invented over 40 years ago—helped define an entire generation of liberated woman. On Colbert, she did her best to represent her ideologies, both philosophically and style-wise: “All I do,” she said, “Is give women a little trick that is going to make them look sexy and feel empowered.”

Diane von Furstenberg is a statement maker. On Nov. 20, the illustrious fashion industry leader did not need a statement necklace to hold the attention of a packed audience at the Stanford Graduate School of Business. Her confident disposition and witty charm kept the predominantly female audience at Cemex Auditorium both entertained and enthralled. Hosted by Stanford Women in Business (SWIB), a pre-professional group of undergraduates who aim to establish a community of aspiring businesswomen across campus, von Furstenberg’s visit marked the first event this year of SWIB’s Executive Leadership Series.

Von Furstenberg did not go to business school, but that did not stop her from creating the international empire that is now “DVF.” As she described in relatable terms to her Stanford audience on Thursday, “I had my own start-up.”

This start-up refers to the 1974 introduction of her “wrap dress,” a garment that has come to “symbolize power and independence for an entire generation of women,” as stated on her website. Since then, von Furstenberg has developed a luxury brand available in over 55 countries.

Also known for her mentorship and work on the board of Vital Voices, an NGO that supports emerging female leaders and entrepreneurs, von Furstenberg declares women’s empowerment as her current “mission.” She did not originally plan for this, as she mentioned when she spoke of her early years.

“If you study business, chances are you don’t know what you’re going to do. So it is important that you think about the woman that you want to be,” she said.

Von Furstenberg reflected on this notion herself in her new memoir, “The Woman I Wanted to Be,” which came out this fall. In the first chapter of her memoir, entitled “Roots,” von Furstenberg pays homage to her mother as the key figure who influenced the woman she wanted to be. Her mother, a concentration camp survivor, taught her that “fear was not an option; you must be independent.”

Von Furstenberg echoed her mother’s words when she said, “I didn’t know what I wanted to do, but I knew I wanted to be independent.”

 

Malala Yousafzai

Malala Yousafzai is a Pakistani activist for female education and the youngest Nobel Prize laureate. She is known for human rights advocacy, especially the education of women and children in her native Swat Valley in Khyber Pakhtunkhwa, northwest Pakistan, where the local Taliban had at times banned girls from attending school. Her advocacy has grown into an international movement.

Malala Yousafzai

Yousafzai was born in Mingora, Khyber Pakhtunkhwa, Pakistan. Her family came to run a chain of schools in the region. Considering Jinnah and Benazir Bhutto as her role models, she was particularly inspired by her father‘s thoughts and humanitarian work.[4] In early 2009, when she was 11–12, she wrote a blog under a pseudonym for the BBC Urdu detailing her life during the Taliban occupation of Swat. The following summer, journalist Adam B. Ellick made a New York Times documentaryabout her life as the Pakistani military intervened in the region. She rose in prominence, giving interviews in print and on television, and she was nominated for the International Children’s Peace Prize by activist Desmond Tutu.

Yousafzai was injured on 9 October 2012 by a Taliban gunman when he attempted to murder her. She remained unconscious and in critical condition at the Rawalpindi Institute of Cardiology, but later her condition improved enough for her to be sent to the Queen Elizabeth Hospital in Birmingham, UK. The murder attempt sparked a national and international outpouring of support for Yousafzai. Deutsche Welle wrote in January 2013 that she may have become “the most famous teenager in the world”.Weeks after her murder attempt, a group of fifty leading Muslim clerics in Pakistan issued a fatwā against those who tried to kill her.[7]

Since recovering, Yousafzai became a prominent education activist. Based out of Birmingham, she founded the Malala Fund, a non-profit, and in 2013 co-authored I am Malala, an international bestseller. In 2015, Yousafzai was a subject of the Oscar-shortlisted documentary He Named Me Malala. The 2013, 2014 and 2015 issues of Time magazine featured her as one of the most influential people globally. In 2012, she was the recipient of Pakistan’s first National Youth Peace Prize and the 2013 Sakharov Prize. In 2014, she was announced as the co-recipient of the 2014 Nobel Peace Prize, along with Kailash Satyarthi, for her struggle against the suppression of children and young people and for the right of all children to education. Aged 17 at the time, she became the youngest-ever Nobel Prize laureate. From 2013 to 2017, she was a pupil at the all-girls’ Edgbaston High School in Birmingham. In 2017, she was awarded honorary Canadian citizenship and became the youngest person to address the House of Commons of Canada. In August 2017, she gained admission to Lady Margaret Hall, Oxford to study for a bachelor’s degree in Philosophy, Politics and Economics

 

Oprah Winfrey

Oprah Winfrey is an American media proprietor, talk show host, actress, producer, and philanthropist. She is best known for her talk show The Oprah Winfrey Show, which was the highest-rated television program of its kind in history and was nationally syndicated from 1986 to 2011 in Chicago, Illinois. Dubbed the “Queen of All Media”, she has been ranked the richest African-American, the greatest black philanthropist in American history, and is North America’s first multi-billionaire black person. Several assessments rank her as the most influential woman in the world. In 2013, she was awarded the Presidential Medal of Freedom by President Barack Obama and honorary doctorate degrees from Duke and Harvard.

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Although Oprah Winfrey is not a publicly identified feminist, her comprehensive societal influence can be extrapolated to the United States women’s movement. To borrow a term from Patricia Misciagno, she is the nation’s foremost de facto feminist (Misciagno 1997). In the alternative, discursive social and political space created for women by The Oprah Winfrey Show, Oprah promotes feminist ideology and practice without explicitly acknowledging the fact that she is endorsing either feminism or the United States women’s movement; in doing so, Oprah promotes de facto feminism on a regular basis in the homes of millions of “everywomen” in the United States, all the while without directly acknowledging her own feminist identity. Consequently, Oprah becomes a living embodiment of the contradictions of de facto feminism. An emerging body of scholarship exists that analyzes the relationship between Oprah, her television show, and feminism. A primary theme of this burgeoning literature is the notion that The Oprah Winfrey Show blurs the boundaries of public and private, personal and political. Sujata Moorti states that “Oprah blurs our understandings of public and private issues, public and private spaces, and the characteristics differentiating the guests from the host and the participants . . . On daytime talk shows the personal is, indeed, political” (Moorti 1998, 86-87, italics in the original). Gloria-Jean Masciarotte continues this thread with her assertion that “in a real sense, then, on The Oprah Winfrey Show, there is no area of politics that is not personal and no space where the personal is exempt from politics” (Masciarotte 1991, 96). In its convergence of the personal and the political, The Oprah Winfrey Show shares a major tenet with the contemporary United States women’s movement. Oprah succeeds in blurring these boundaries in large part because she makes women feel as though she is their friend. Deborah Tannen claims that women, in particular, listen to Oprah because, in opposition to the early style of the talk show founded by Phil Donahue, whom she says relied on “reporttalk,” or the basic exchange of information typified by men’s conversation, Oprah utilizes a method of “rapport-talk,” which, in its focus upon confessional, intimate, personal conversation, is unique to women’s relationships (Tannen 1998, 198). In her discussion of Oprah’s personal exchanges with her audience members, Corinne Squire concurs that these examples of expressiveness “signify an empathy that is traditionally feminine, but also feminist in its insistence on the ‘personal'” (Squire 1997, 101). A second dominant theme of the recent scholarly literature about Oprah is that her television show is rooted in the feminist tradition of consciousness raising. Masciarotte claims that Oprah gives a voice to the mass subject-those who have been Othered in society-including women, working- or lowerclass people, and people of color (Masciarotte 1991, 103). The Oprah Winfrey Show, like talk shows in general, enables women to overcome their alienation as a result of talking about their specific experiences as women in society; by privileging the voice of women’s experiences and struggles over the “learned” voice of the expert, the talk show continues the traditions of consciousness raising formulated within the liberal American women’s movement (89-90). Recent scholarly literature about Oprah has also focused upon the ways in which her show creates an alternative social and political space for women. Moorti suggests that The Oprah Winfrey Show creates both a “protofeminist discursive space” and a “feminist counter public sphere” (Moorti 1998, 83, 93, 97). Resultantly, The Oprah Winfrey Show functions as a discursive site for women publicly to share their stories, by and for women, forming bonds with others who have had similar life experiences. Another thread binding emerging feminist scholarship about Oprah is the thesis that her show promotes the empowerment of women. Debbie Epstein and Deborah Lynn Steinberg remark that “Oprah’s stated intention for her show is, at least in part, to challenge prejudice and foster empowerment, particularly, for women” (1998, 81). Squire observes that feminism is most explicit on The Oprah Winfrey Show in its “often-declared commitment to empowering women . . . the show’s aim is to empower this shared womanhood,” creating a “televisual feminism” in the process (1997, 102). Some scholarly assessments of the treatment of racial issues on The Oprah Winfrey Show suggest that Oprah has managed to transcend race, a principal reason for her show’s success. In transcending race, Oprah “has been described as a comforting, nonthreatening bridge between black and white cultures”; she is successful at presenting racially charged issues precisely because she vacillates between “sometimes embracing, sometimes minimizing her blackness,” thus managing to depoliticize her race (Peck 1994, 90-91). Other academics, however, including Squire, argue against the notion that Oprah transcends race, suggesting instead that The Oprah Winfrey Show is as “permeated with ‘race’ as much as it is with gender,” and that “black feminism seems, as much as woman-centered feminism, to define the show” (Squire 1997, 104-6). The relatively modest amount of recent scholarship about Oprah has begun to address the ways in which issues of race, class, gender, and feminist identification are treated within the Oprah Winfrey enterprise. In this chapter, it is my desire to build upon this extant literature by utilizing Patricia Misciagno’s theory of de facto feminism as a framework through which to view Oprah’s feminist identification
Madonna

Madonna — a global icon who extended her record as the highest-grossing female touring artist of all time in 2016 — was honored as Woman of the Year at Billboard’s Women In Music 2016 event on Friday (Dec. 9). And during her acceptance speech, she was fully ferocious, funny and brutally honest — in other words, she was the Madonna we’ve known and adored since she debuted more than 30 years ago.

Madonna, unsurprisingly, stole the show the moment she took the stage. Her weapon? Something you can’t contain, fake, reproduce or put a price on: Blunt, personal truth.

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After opening with a joke — “I always feel better with something hard between my legs” Madonna said, straddling the microphone stand — she got candid very quickly.

“I stand before you as a doormat. Oh, I mean, as a female entertainer,” Madonna said. “Thank you for acknowledging my ability to continue my career for 34 years in the face of blatant sexism and misogyny and constant bullying and relentless abuse.”

“People were dying of AIDS everywhere. It wasn’t safe to be gay, it wasn’t cool to be associated with the gay community,” Madonna recalled. “It was 1979 and New York was a very scary place. In the first year I was held at gunpoint, raped on a rooftop with a knife digging into my throat and I had my apartment broken into and robbed so many times I stopped locking the door. In the years that followed, I lost almost every friend I had to AIDS or drugs or gunshots.”

From that, Madonna told the Women In Music crowd she learned a vital lesson: “In life there is no real safety except for self-belief.”

Madonna also talked about a lesson she thought she learned from David Bowie… only that lesson, it turned out, didn’t quite apply to her. “I was of course inspired by Debbie Harry and Chrissie Hynde and Aretha Franklin, but my real muse was David Bowie. He embodied male and female spirit and that suited me just fine. He made me think there were no rules. But I was wrong. There are no rules — if you’re a boy. There are rules if you’re a girl,” Madonna said. 

Among those rules: “If you’re a girl, you have to play the game. You’re allowed to be pretty and cute and sexy. But don’t act too smart. Don’t have an opinion that’s out of line with the status quo. You are allowed to be objectified by men and dress like a slut, but don’t own your sluttiness. And do not, I repeat do not, share your own sexual fantasies with the world. Be what men want you to be, but more importantly, be what women feel comfortable with you being around other men. And finally, do not age. Because to age is a sin. You will be criticized and vilified and definitely not played on the radio.”

Madonna also opened up about the time in her life when she felt “like the most hated person on the planet,” with her eyes tearing up and her nose running a bit. 

“Eventually I was left alone because I married Sean Penn, and not only would he would bust a cap in your ass, but I was off the market. For a while I was not considered a threat. Years later, divorced and single — sorry Sean — I made my Erotica album and my Sex book was released. I remember being the headline of every newspaper and magazine. Everything I read about myself was damning. I was called a whore and a witch. One headline compared me to Satan. I said, ‘Wait a minute, isn’t Prince running around with fishnets and high heels and lipstick with his butt hanging out?’ Yes, he was. But he was a man.

“This was the first time I truly understood women do not have the same freedom as men,” she said.

Madonna also recalled that at one point in her life, during all the public vitriol, “I remember wishing I had a female peer I could look to for support. Camille Paglia, the famous feminist writer, said I set women back by objectifying myself sexually. So I thought, ‘oh, if you’re a feminist, you don’t have sexuality, you deny it.’ So I said ‘fuck it. I’m a different kind of feminist. I’m a bad feminist.'”

Madonna also looked back on the many pop icons lost during the last decade. “I think the most controversial thing I have ever done is to stick around. Michael is gone. Tupac is gone. Prince is gone. Whitney is gone. Amy Winehouse is gone. David Bowie is gone. But I’m still standing. I’m one of the lucky ones and every day I count my blessings.”

Closing out her speech, Madonna offered thanks to her haters and advice to other women in music.

“What I would like to say to all women here today is this: Women have been so oppressed for so long they believe what men have to say about them. They believe they have to back a man to get the job done. And there are some very good men worth backing, but not because they’re men — because they’re worthy. As women, we have to start appreciating our own worth and each other’s worth. Seek out strong women to befriend, to align yourself with, to learn from, to collaborate with, to be inspired by, to support, and enlightened by,” she urged. 

“It’s not so much about receiving this award as it is having this opportunity to stand before you and say thank you,” Madonna said, closing out her speech. “Not only to the people who have loved and supported me along the way, you have no idea…you have no idea how much your support means,” she said, tearing up for the second time. “But to the doubters and naysayers and everyone who gave me hell and said I could not, that I would not or I must not — your resistance made me stronger, made me push harder, made me the fighter that I am today. It made me the woman that I am today. So thank you.”

Before the speech, Anderson Cooper introduced Madonna with a heartfelt tribute to her ongoing influence. “Madonna is Billboard’s Woman of the Year, but as far as I’m concerned in terms of music and impact and culture, she’s been the Woman of the Year every year since she released her first single ‘Everybody’ in 1982.”

Hailing her as not only “relevant but revolutionary” up to present day, Cooper noted the importance of Madonna to him “as a gay teenager growing up… Her music and outspokenness showed me as a teenager a way forward. Through her music, she told me and millions of teenagers — gay and straight — that we are not alone. We are connected to each other.”

Rosie the Riveter

Rosie the Riveter is a cultural icon of World War II, representing the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. These women sometimes took entirely new jobs replacing the male workers who joined the military. Rosie the Riveter is used as a symbol of feminism and women’s economic power. Similar images of women war workers appeared in other countries such as Britain and Australia. Images of women workers were widespread in the media as government posters, and commercial advertising was heavily used by the government to encourage women to volunteer for wartime service in factories. Rosie the Riveter became the subject and title of a song and a Hollywood movie during WWII.

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Sources :

Wikipedia

https://dissentpost.wordpress.com/2014/11/14/pictorial-play-cards-yelling-against-gender-discrimination/

https://www.philosophytalk.org/blog/simone-de-beauvoir

https://stanfordfreedomproject.com/simone-de-beauvoir-freedom-for-women/

https://www2.gwu.edu/~erpapers/teachinger/lesson-plans/notes-er-and-womens-movement.cfm

https://bellatory.com/fashion-industry/Chanel-Feminism-Through-Fashion

https://www.biography.com/people/betty-friedan-9302633

http://www.gloriasteinem.com/

https://www.theguardian.com/lifeandstyle/2017/mar/04/gloria-steinem-what-makes-me-unhappy-seeing-anybody-rendered-invisible

http://feministwednesday.com/my-feminists-barbara-walters/

http://www.feminist.com/resources/artspeech/insp/maya.htm

http://www.womensviewsonnews.org/2014/06/maya-angelou-on-feminism/

https://www.poetryfoundation.org/poets/maya-angelou

https://afeministtheorydictionary.wordpress.com/category/alice-walker/

https://www.vox.com/identities/2017/9/13/16288034/hillary-clinton-what-happened-feminism

https://www.salon.com/2016/10/20/hillary-clinton-is-an-actual-feminist-she-met-trumps-misogyny-head-on-without-apology/

https://jezebel.com/diane-von-furstenberg-accused-of-being-feminist-icon-k-1658012312

https://www.stanforddaily.com/2014/12/01/diane-von-furstenberg-talks-finance-fashion-and-feminism/

https://www.researchgate.net/publication/290268768_I%27m_everywoman_Oprah_Winfrey_and_feminist_identification

 

 

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A&A / Tunisia -Lesbian Love -Where Love Is Illegal

Kudos to these amazing women, that fight for their love and their truth = which form their reason to live = which is life.

 

“We fell in love a few years ago. It was and still is passionate and intense in every possible way. We kiss, we love and hug. We have breakfast in bed, go to the movies when we can afford it. We make our life plans around each other because we are each others everything. Our friends think we are perfect together and we think we are perfect for each other. We have been now for four years. Four years inside a safe bubble of love, that we almost forget that we weren’t like everyone else.

“It was last valentines when we decided to go have a romantic dinner at this nice restaurant where everything was decorated in red with heart shaped lights. The moment we got in, we set our eyes on this nice table for two with lovely candles on top of it, but the waiter directed us to a regular table for four because the other tables were for couples and we weren’t a couple. How can we be when she is a she and I am a she. It wasn’t just a Valentine’s Day incident, it was our everyday life outside our safe bubble. That is why those four years of love were also four years of hiding. And we still hide and we still love.

 

A&A”

 

Source to a great website : Never stop telling their stories!!!

http://whereloveisillegal.com/aa/

Untouchable by Brenda Adcock

Before I ever acknowledged the truth of my feelings or even understand what I was really sensing, the first image that went through my mind and my heart, whenever I thought of two women in love, was the love between a poetess and a sculptress. I really can’t explain why, it was just my innocent instinct.

„Untouchable” by Brenda Adcock landed in my hands „innocently”, because I had no idea of the subject it speaks about, yet after I read a small synopsis I thought it was a good idea to read it. I wasn’t fascinated, I was just interested, as the love between an English literature professor and an art student soon to become a sculptress, was excited and I expected a sweet romance, but „Untouchable” is both a poem and a sculpture. I loved every bit of it and I felt a part of it, not just a reader, and that’s exactly how a good book should make a reader feel like.

The story starts with Ramie Sunderlund, an art student, soon to become a sculptress, who needs more credits to complete her semester and one of her professors lead her to take the English Literature course. Her student roommates and other colleagues scare her off that the English Literature professor, Dr. Rothenberg is a scarecrow and that she will never pass the exam. Ramie needs these credits and she wants to go through this semester and end her sculpture portofolio.

lesbian lovers

Ramie goes on a weekend escapade with her roommate Leslie and other students and she gets lost and on a deserted cabin in the mountains she happens to see two adult women embracing and kissing and she never stops dreaming of them, nor of scary professor Rothenberg, until the first class with professor Emma Rothenberg, when she realizes she is one of the women she saw kissing back there next to the mountain cabin’s edge.

eva green lesbian kiss

She felt closer to the professor and she slowly acknowledges her love for women and her attraction to Emma, professor Rothenberg, from the moment she first saw the tall woman with tanned skin and soft, short, cinnamon windblown hair and wire-rimmed glasses, and especially when Emma asked to see the sculptress’s hands, that reminded her of her first lover, Frances, yet Ramie didn’t know that. And Ramie soon finds herself head over heels in love wiht the professor that never looses her rope upon her courses, yet she has a love affair with the dean’s wife. Ramie is in love with dr. Emma Rothenberg, the English literature professor, with Emma the tennis player and with Emma, the woman twice her age, that has a lesbian love affair with her boss’s wife, Millie Carver.

Dr. Emma Rothenberg is a well known scholar at the University for she’s been an English Literature professor for so many years back now. She won’t risk her career for nobody’s love, she is satisfied of having an affair with the dean’s wife, whom will never leave her husband for her, yet somewhere in the corner of her eye is Frances, the very first woman she has ever loved and the one who she has never fought for, for Frances has always wanted a family, a child, that Emma could never offer her. This art student, Ramie Sunderlund, reminded her so much of Fran, with her free spirit and her clay calloused hands that she had to touch and know who they felt like for only one moment.

a perfect ending lesbian love

I loved how Brenda Adcock entwined the two women’s feelings and lives and how everything is a big surprise. I expect Ramie and Emma to fall in love and start a love affair from the moment they are attracted to each other, yet they don’t and that’s even more exciting.

chloe julianne moore 1

Ramie wants to finish her portofolio and her piece of resistance will be „Untouchable” her secret sculpture of Emma who she was so much attracted to , yet she could never know. One evening Ramie works late at her sculpture, but Emma’s assistant, who’s advances Ramie refused as she didn’t want to pass Emma’s class like that, wanted revenge for being refused and he cowardly attacked Ramie and hurt her hands and her being as well as he destroyed her sculptures.

a perfect ending lesbian younger and older

Ramie had to give up her year and the years to come, yet Emma was by her side at the hospital, until her parents came from Virginia. Emma encouraged Ramie that she would sculpt again and Ramie believed her and she went back home and recovered after her injuries.

I think Emma should have known her assistant was capable of such a bad deed, for she saw an altercation between Ramie and her assistant before and she should search for Ramie earlier, yet maybe that’s the way the author wanted the story to flow.

Ten years after, Ramie is offered a guest lecturer job by Sylvie from the Art University. Ramie is a fine sculptress now and she has also well recovered from her injuries, yet she has never forgotten about Emma Rothenberg, and this was her chance to check her inner feelings and if they have changed about Emma. She has also finished her recovery work sculpture „Untouchable” which was a remake from her former sculpture that was destroyed by Emma’s assistant. And so, Ramie and Emma see each other again, unexpectedly. I loved how Ramie sees her and at the art exhibition asks Emma if she likes her sculpture „Untouchable” without knowing it was herself. Their attraction has not vanished in a decade and I find this amazing, a beautiful idea to make the novel more interesting.

chloe julianne moore

I also, loved Emma and Ramie’s first kiss, in Emma’s home bedroom at the party Emma is hosting and how Emma gives up to her attraction to Ramie and how Ramie wants Emma. And Emma is tormented by their age difference and her reputation at the University and how she feels guilty about Ramie’s attack by her assistant and how she could do more. Emma is still amazed by the fact that Ramie, even more attractive after a decade, with her blonde curls, blue eyes and slender body seems to be interested in her and how attractive Ramie is. I enjoyed so much the first night they sleep together, their second kiss, so passionate and wild and how Emma forgets about Millie Carver and how much she wants and needs Ramie in her life.

a perfect ending love lesbian

Easily, their lives fit into one another and the love that blossoms between them cannot be scatter by Sylvie, Millie nor Emma’s assistant who wants to ruin Emma and Ramie’s new found paradise. Their lovemaking, their closeness and their relating to each other is what attracts to this novel.

carol rooney-mara-cate-blanchett

The turning point is the moment when Emma meets Frances again, when Fran’s husband becomes a professor at Emma’s University. Yet, by then, Emma knows whom she wants, mainly the blonde curled beauty with azure deep blue eyes and a huge sculpture talent that is Ramie.

I loved how Emma’s sculpture plays such a memorable role in their lives.

lesbian lovers kiss

I loved how the two characters have been built, especially Ramie and parts of Emma, as I said before, in the first part the perfect Emma should have cared more for Ramie and after she saw the issue with her assistant she should have payed more attention and more care to Ramie and even try to see her back home, in Virginia, after she was injured and during her ten years recovery.

Still, „Untouchable” by Brenda Adcock, remains one of the best lesbian romances I have ever read.

Touchwood by Karin Kallmaker

It’s been a long time since I have read a book written by Karin Kallmaker (last one was “Love by the numbers” which also, was a beautiful read), I have almost forgotten how her writing “feels” like and how the characters she creates come to life and amaze souls in a different way than any other writer does.
When you start reading, you get distracted by the characters and especially by Rayann’s despair after her break-up with her girlfriend, Michelle, whom has cheated on her and Rayann found out that they were having sex in her bed and her sheets, yet she reminds herself that she left a beautiful career to become sort of a lesbian housewife, entertained by Michelle, Rayann is a wood carver.

loving annabelle
Rayann and her mother, Ann Germaine had a difficult relationshipespecially since her father died, her mother tried to push forward her dreams through Rayann and wanted her to become a commercial graphician, yet after she met Michelle, Rayann and her mother have lost all hope as Rayann gave up her dreams. And now, she lost everything, her love, Michelle, her dreams, and she just wanted to get away from Michelle and didn’t wanted to go home to her mother’s house. She travelled by tram and train until she found a shelter for women and none could really help but one woman whom wanted nothing and none, but to pay some dues from her youth when she wasn’t able to fight for the women’s rights, pains or lesbianism for the sake of her son, Teddy, so that she could hold onto him and never lose him nor his love and attachment, not even for Christina, her love, that was Louisa.
Louisa’s love was gone now, along with Christina dead and Teddy having afamily, she only had her bookstore and her friend Danny, hiding her own self from her son and from the world, no lesbian book had any place in her bookstore, but some old Renee Vivien poetry hidden somewhere back the shelves.

bloomingtn lesbian
Rayann took the challenge and agreed to work in Louisa’s bookstore in order to pay for the rent and food, yet she has never expected herself to fall in love with Louise, a woman twice her age, who could actually be her mother. Louisa amazed her in a way none else ever did : her silence, her knowing glance, her hands – Louisa’s hands were her wildest dream, everything about Louisa bewildered her and attracted her even more, evermore, her dark eyes, her beautiful body, her skin, her dark hair with gray strands and combs, she became infatuated and so life goes on until one beautiful night when Louisa made real love to Rayann, the sensation and the reality of it never left her, yet Louisa never wanted to influence Rayann’s life, not being able to take her own decisions for loving a woman half her age. So, Rayann, unexperienced and left, somewhow, in the air, filled her spare time with Zoraida, a beautiful latin lover lesbian butch, yet she was not Louisa.

2003 MTV Video Music Awards - Show

I loved the way this novel was set, as we see the action through Rayann’s eyes, loving an elder woman to the edges of fading like a rare flower into an unknown land from nowhere, calling a love that would last into her heart forever.
I have to confess that, I was in love with Louisa, and I wished I could find her sight of the story, the way her heart skipped a beat whenever Rayann was around, what she had found in Rayann, why did she let Rayann go off with Zoraida, I wanted to know so much more about Louisa, yet I was pleased in imaging it by myself, which was more fun and even more inspiring, maybe it was a writer’s trick.
Those moments when Louisa had treated Rayann as a child, as a friend, anything else but her lover, were most entertaining, as the reader knew it was the way Louisa’s experience with her son knew best, knew more of youth, yet knew nothing of Rayann’s love and addiction, nothing like her son’s, Teddy’s, but everything her heart wanted to hear and fell, and that her mind sent away.

hillary

I loved how Rayann grew up, evolved by leaving Zoraida and she knew that none would ever love her as Louisa would. And after some time and even more struggling to keep away her lust and passion for Luisa, giving into work and her passion for commercial marketing, she set herself somehow on the second place. And when she could not take it anymore and confessed to Louisa she believed she and Danny were lovers and died of jealousy, she could see the struggle that went through Louisa, not wanting to lose Rayann’s love, and not wanting to lose her son’s love, as Danny told Rayann, just made it all clear now and Rayyan knew she was desperately and deeply in love with Louisa.
Rayann’s relationship with her mother improved somehow as Ann met Louisa nad found her amazing, and Rayann met Jim her mother’s fiancée, yet when her mother found out Louisa was her lover, her daughter’s lover, that was her age, was the turning point, yet Louisa was on the edge of her wisdom and found a way to settle things down, yet she had to tell Teddy just how much she loved Rayann and how many decades she has been hiding her lesbian love for Christina and now, she wanted all transparent for Rayann.

carol lesbian lover young and older

And she does it, all right, yet it takes some time for her son to swallow the deep gulp, yet he will and they will be a big happy family at Ann Germaine and Jim’s wedding in Greece.
I loved Louisa’s story : she hid her lesbian desires and her love for Christina, just for Teddy’s sake, her son’s love valued gold in times when in America being lesbian was a drill, 50’s and 60’s when she didn’t dare to take action , but maybe getting arrested for some lesbian thoughts, yet nothing of lesbian liberalism, afraid that the social services could take Teddy away from her.

carol-film-cate-blanchett
Now, she sees through Teddy and Rayann, nothing alike but their age, yet her son was still a boy needing his mother, while Rayann was a young woman, much more adult than her age showed, who loved her and believed in her love and their freedom to love each other forever.
And so, they did. I loved this novel so much, one of the few lesbian novels about a younger and an older woman who deeply fall in love with each other, despite their age difference, their experience and their love for baseball.

Louisa’s strength, her sensitiveness and her sweetness conquered my senses and made me want her just as much as Rayann must have wanted her, adored her, loved her.
I am in awe, no quotes, thank you, Karin Kallmaker.

Carmilla – The movie – release date 26 th of October 2017

I expected the modern Carmilla movie and won’t spoil the surprise which I am sure will be dark, lesbian and comic as the trailer suggests.

carmilla-movie 2017

Enjoy Carmilla and Laura all along with the rest of the girls : S. La Fontaine, Lolla Perry, Lilita Morgan and a new character which comes as a surprise and we don’t know who she really is , but see a certain note of jealousy between Laura and Carmilla from ancient times, altogether with a detective story of modern times and , and, of course, the music : It has been five years since Laura and Carmilla vanquished the apocalypse and Carmilla became a bonafide mortal human. They have settled in to a cozy apartment in downtown Toronto; Laura continues to hone her journalism skills while Carmilla adjusts to a non-vampire lifestyle. Their domestic bliss is suddenly ruptured when Carmilla begins to show signs of “re-vamping” – from a fondness for bloody treats to accidental biting – while Laura has started having bizarre, ghostly dreams. The couple must now enlist their old friends from Silas University to uncover the unknown supernatural threat and save humanity – including Carmilla’s..

 

Carmilla is a Canadian web series co-created by Jordan Hall, starring Elise Bauman and Natasha Negovanlis, loosely based on the novella of the same name by Sheridan LeFanu, basically it is a modern vampire story which steals from the original Carmilla her family name, Karnstein, and her fame as the first known (lesbian) vampire of the 17 th century quite before Dracula and casting a magic spell swirling darkness, selfish love and bloodsucking.

carmilla fanart

https://inkmarksonemptydreams.com/tag/carmilla/

The series premiered on the Vervegirl (rebranded as Kinda TV as of January 2016) youtube channel on August 19, 2014.

The series takes place at the fictional Silas University in Styria, Austria and is told through video journals (Vlogs) recorded by Laura, a first-year student. When Laura begins investigating the disappearance of her roommate, she is assigned a new roommate named Carmilla.

carmilla and laura carmilla the movie

As of August 2017, Carmilla has generated over 69 million views on YouTube

Laura Hollis (played by Elise Bauman) is the 19-year-old sheltered and courageous protagonist. She is a journalism major and grew up with an over-protective father who goes to great measures to protect his only child. Despite her love of sugary foods, Laura is tiny, and, as a child, was signed up for Krav Maga classes by her father so she could learn how to defend herself. Though she is somewhat bookish and dorky, she is adorable and fiercely loyal to her friends. Laura enjoys various forms of pop culture, includingHarry Potter, Buffy the Vampire Slayer and Doctor Who, and is deeply inspired by historical strong female icons. Laura does not hide her initial dislike towards Carmilla, but as the series progresses and after discovering who Carmilla truly is, she finds herself falling in love with her and is eventually in a relationship with her by season 2. They break up during that same season, and during season 3 they are working towards getting back together. It is implied that Laura does not have a mother, and if her family correlates with her character’s family in the original novella, Laura’s mother died when she was young. Little is known of her past and of Laura herself other than basic facts discovered in season 1, and the fact she is out of the closet as a lesbian, revealed in season 3.

carmilla laura smooch

Carmilla Karnstein (played by Natasha Negovanlis) is Laura’s new roommate. Born in Styria in 1680 as Mircalla Karnstein, the daughter of a Count, Carmilla was murdered at a ball and resurrected as a vampire, eternally aging her at 18. She is the “adopted” daughter of the Dean of Silas University, Lilita Morgan (also a vampire) who forces Carmilla to bring her girls to offer as a sacrifice to the angler fish god in her cult. During the 1800s, Carmilla fell deeply in love with Ell, one of her mother’s targets. She tried to protect Ell from her mother, but when her mother revealed to Ell that Carmilla is a vampire, Ell rejected Carmilla. Carmilla was tortured and buried underground for several decades in a coffin of blood for disobeying her mother. She was freed during the Second World War by a bomb exploding and unearthing her coffin. Carmilla was eventually found by her mother and forced back into her enslavement of luring girls. She was brought to Silas University and eventually becomes roommates with Laura Hollis, one of her mother’s next targets. However, Carmilla becomes passionately drawn to Laura and vows not to let her mother harm her. By the end of season one and entering the second season, it is clear that she is in a relationship with Laura, that falls apart during that same season. In season 3, the couple is working on rebuilding their trust. Carmilla is a strong willed, sarcastic, philosophy student who consistently fails to clean up after herself and often uses Laura’s possessions without permission. She possesses supernatural strength and speed, and can transform into a giant black cat.

carmilla tied up by laura

Sources :

Wikipedia

Kinda Tv YouTube Channel

carmilla the movie

 

 

Thelma 2017 – the supernatural lesbian film by Joachim Trier

thelma 2

Thelma (Eili Harboe) moves to Oslo as a young Norwegian student and she starts falling in love with her beautiful colleague Anja (Okay Kaya) when she discovers her strange supernatural powers and the sensations that provokes them and their relation with nature.

thelma 1

If it lies in her childhood, why did they come to surface only now or how will Thelma control them and how her love for Anja will get through everything? I am guessing we will find out on September 15 th, 2017 when the movie will be released on Norway.

thelma fluctuant

A fantastic horror-thriller with glimpses of a lesbian romance.

 

thelma 3

Other cast members :

Ellen Dorrit Petersen Unni
Henrik Rafaelsen Trond
Stian Werme Classmate
Jonas Jörgensen Epilepsi Patient
Anders Mossling Dr. Paulsson
Vanessa Borgli Vilde, Anja’s mother

through glass spikes

Director:

Joachim Trier

Writers:

Joachim Trier (co-writer), Eskil Vogt (co-writer)

 

Watch the trailer

https://www.youtube.com/watch?v=OZ7OhQPmC6s

Liberty’s Secret (2016) – a musical lesbian movie

Liberty's-Secret-Vimeo-Poster-1080x1600_8.26.16

A funny musical satire which has two deep themes : mud of politics and how a young and innocent woman can be dragged into it and lesbian love in the middle of the political mood with a very possible happy ending!

 

liberty and nikki

Liberty Smith (Jaclene Wilk) is the young and innocent daughter of a preacher with a magnificent voice and she looks and sounds as the perfect energizer for the conservative presidential campaign.

nikki

Even her name is double edged for she is Liberty in politics and the liberty goes on in everything that happens, especially when Liberty meets Washington insider, Nikki (Cara AnnMarie) and falls in love with her. Someone immortalizes their kiss and they appear all over TV. Now Liberty has to choose between her one true love and her career in politics, although she can have one in music, too.

nikki and liberty liberty's secret

 

Also, I enjoyed the presidential character, the Republican candidate a stereotypical copy of a fun George Bush.

liberty's secret

The best thing in this movie is the music. Andy Kirshner (writer/director/composer a professor of Music and Art & Design at the University of Michigan) and Debbie Williams have managed to create a beautiful musical with a sensitive story on a solid ground. Enjoyed the hilarious song “Girls Like Boys” – “Girls like picking roses, and boys like punching noses.”

 

Happy ending!!!

liberty s secret nikky and liberty

https://vimeo.com/127673689

 

Sources

 

https://libertysecret.com/story/

 

http://www.lesbian-interest.com/libertys-secret-2016-lesbian-movie/

 

Watch it online

 

https://filme-online.to/film/eLJ/Liberty-s-Secret?ep=790330

 

Entangled by Maria V. Ciletti

„Entangled” by Maria V. Ciletti is not just a coming out of the closet novel for an almost 18 years old graduate in love with her former teacher, but it has a certain profoundness of inter-human relationships, I mean treason : how a woman that supposed to have loved another woman harms her by risking her job as a teacher, patience : on how a young girl develops into a young woman, yet her feelings still persist, judgemental : on how some Christian small groups treat homosexuality, mainly lesbianism.

 entangled by maria v ciletti

Hayden Crissman is  the almost 18 years old graduate who is eager to find a purpose in life after highschool, as for the summer she leaves her native town for Eerie to work in a fast food with her best friend, Cali. Apparently, accidentally, she and Cali drop down at the Zone, the local gay bar, yet Cali is there for a purpose and Hayden surprisingly sees there Miss Spencer, her former teacher, who looks pretty bad, disappointed and hopeless. Hayden is secretly in love with Abbey Spencer and saves her from embarrassing situations quite often lately. She sees Miss Spencer often now as Cali wants to go more often at the Zone to see Joey, who happens to be another woman.

my first love is my teacher

Dear Diary,

I had the dream again: The dream where Miss Spencer and I are walking on a beach and the sun is setting. The sky is ruby red, and I can feel the warm breeze on my skin. We walk out on a sandbar, and Miss Spencer reaches over and takes my hand. She turns toward me and looks into my eyes, then she leans in and kisses me. The kiss is soft and sweet, and I don’t want her to stop…and then I wake up. Why would I be having these dreams, dear diary? Does this mean I’m a lesbian? I don’t want to be gay. I don’t want to be a freak.

 

„The dream about Miss Spencer disturbed her because it aroused feelings in her she didn’t understand. Why wasn’t she like all the other girls in her class who were boy crazy? Was it just general admiration or a schoolgirl crush that she felt? Wasn’t she too old for that? And anyway, why Miss Spencer? If she was going to have a crush on a teacher, wouldn’t it be on Mr. Gennero? All the girls, including her best friend, Calli Karra, drooled over Mr. Gennero. His dark Italian looks set many a schoolgirl’s heart aflame. But not Hayden’s. She had other feelings—feelings she thought separated her from everyone else—and those feelings were so frustrating that they kept her up some nights.

Although Hayden was shy, especially around boys, she did date boys. Well, a boy, if you count going to the spring formal with Jimmy Robson. The date ended badly when she pulled away from him as he tried to kiss her in the backseat of his dad’s Chevy Suburban. What was she supposed to do? His dad was right there in the front seat. It’s not that she didn’t like boys. They could be a lot of fun, like her friends Nick and Don. Nick, who sat in front of her in history class, could make her laugh until tears ran down her cheeks. Don was her lab partner in biology who would sneak in Payday candy bars and share with her. 

 

 

Abbey Spencer is one of the few lay teachers at St. Mary’s and Spencer played a big part in Hayden’s decision to go to college. Miss Spencer’s upbeat personality and positive outlook made her one of the most well-liked teachers at St. Mary’s. She likes Hayden and finds her very special and quite an adult in comparison to her classmates, yet she never considers a relationship or even a fling with her.

lesbian teacher student

Abbey is in a relationship with one of her former teachers, Ann White who lives in Eerie and now their liason somehow is shattered by Abbey’s decision to go teach at St. Mary’s and move into another town. Their love  has beauty in it, a student fascinated by her teacher falls for her and vice-versa, yet now after few years, even though Abbey’s love hasn’t perished and she found Ann kissing the Dean of her University during Christmas, she can’t let Ann go, as she is her first love. Yet, Ann behaves amazingly cruel this time, Abbey overhears a discussion between Ann and her new lover, Jackson Price, saying that  Abbey was just a fling and she will end the relationship tonight and she actually does, by telling Abbey that her feelings have changed and she isn’t gay anymore (bunch of crap), she wants to experiment her relationship with a man, but she is actually using Jackson for a better position at the University which is lame and makes her the villain of the book. Abbey finds herself in a pretty difficult situation as she loses Ann (actually Anne is losing Abbey) and her home as she was living in Ann’s house and now Ann practically throws her out and Abbey lives at the Holliday Inn. She takes it pretty bad and drinks a lot, while her former student, Hayden keeps saving her from embarrassing situations as being seen drunk around Eerie or getting arrested in the park. She remembered Hayden’s look at her, it was the same as she was looking at Ann, full of love, admiration and fascinating, alluring desire. She was so lost in her own pain and disappointment that she let Hayden kiss her and take care of her adn she just loved it.

hot for teacher loving annabelle

Miss Spencer had honey golden hair, which was pulled back into a neat ponytail, and a killer smile that made Hayden’s knees weak. She looked down at her shoes, finding it difficult to make eye contact with the attractive teacher. She should ask Miss Spencer if she needed help carrying her stuff, but Hayden was so tongue-tied, she could barely speak.

“Great. Well, have a nice summer. And best of luck to you at Mercyhurst. It’s a great school. I know you’ll do well there.” Miss Spencer smiled, and Hayden’s heart skipped a beat. The card, give her the card echoed in her mind. Hayden’s face flushed as she remembered her dream.

loving annabelle

Abbey Spencer graduated two years earlier from Mercyhurst College with a Bachelor of Arts degree in secondary education. The oldest of four daughters, she was the first girl from her Irish Catholic family to attend college. Abbey studied hard and fought for every A and B she got. In high school, she had developed a love for literature, and more than anything, she wanted to become an author someday. Her common sense told her she would need a backup plan because it was difficult to make a living as a writer. After all, she was no Stephen King. So she majored in secondary education.

During her freshman year, she met Ann White. Ann was an intelligent and charismatic woman. The moment Abbey laid eyes on her, she knew Ann was the one. The only problem was that Ann was her English professor.

Abbey’s heart would flutter every time she saw Ann standing at the lectern in her tight tweed skirt, matching jacket, and black pumps. Abbey was mesmerized as Ann strolled up and down the aisle, lecturing on Tolstoy’s Anna Karenina.

Ann White was well known for her tough teaching techniques and athletic ability—she had run the Boston Marathon twice and ran in several local charitable events—but there was a mysterious side to her that piqued Abbey’s curiosity. It had been rumored that some of Ann’s teaching assistants were more than assistants. The fact that they were all girls really piqued Abbey’s curiosity.

Ann and Abbey’s relationship began on the track. Abbey, in an attempt to stave off the “freshman fifteen,” the weight gain that plagued many a freshman girl, took up running after her last class of the day. On those runs, Abbey noticed her professor also enjoyed an afternoon run, calf muscles straining in her flawless stride, sweat glistening in the warm sun.

Abbey made it a point to be at the track the same time as Ann. She tried as hard as she could to keep pace with Ann, which was no easy feat. Occasionally, Ann would smile a note of recognition as she passed Abbey but nothing more. Abbey was sure Ann never gave her presence a second thought. She was just another face in the sea of freshmen in one of her Intro to Literature classes.

After each run, Abbey, sweaty and wheezing, would duck into the student locker room to shower and change while Ann jogged off to her private office, face all aglow, barely out of breath. Abbey pressed her forehead against the cool tile of the shower stall as the warm water soothed her sore muscles. She couldn’t suppress the fantasies of Ann that ran through her mind whenever she was around her.

But then things changed. One afternoon on an exceptionally warm April day, Abbey was trying out a new pair of running shoes. She made it around the track once without a problem, but during the second lap, something kept rubbing and caused a burning pain over her Achilles tendon. Trying to work out the rub, she wasn’t paying attention to where she was going and stepped in a divot. She twisted her ankle, lost her footing, and fell practically face first onto the cinder track.

Suddenly, Ann appeared by Abbey’s side. She was bent over at the waist with both hands on her lean, muscular thighs. Abbey looked up and could see straight down Ann’s polyester tank top. Her small firm breasts were nestled snuggly into a white cotton bra.

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Ann wrapped her arm around Abbey’s waist. “I’ll help you.” She and the escort practically carried Abbey out of the office and helped her get into the golf cart that took her to her dorm. The resident assistant helped Abbey into the elevator and up to her second-floor room.

Once in her room, Abbey lay on her bed and couldn’t stop thinking about Ann and how being so close to her made her heart skip a beat. Pleasure and guilt crashed into each other when she thought about this. Why can’t you just tell someone how you feel about them and let things grow from there? Why is guilt always attached to love, especially when it comes to my love life? Abbey drifted off to sleep with no answers.

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Things started off innocently enough with casual conversation as Ann told Abbey stories of running in Boston and the camaraderie everyone felt at that amazing event, but as time went on, the visits became more intimate. One afternoon after their run, Abbey was admiring a photograph on the shelf behind Ann’s desk of Ann in a vineyard in Tuscany. Ann, who had just returned from showering and changing, came up behind Abbey. Ann was so close, the sensation of her warm breath on her neck sent shivers through Abbey’s body. “Tuscany is a beautiful place. You should really go there someday,” Ann whispered.

Abbey turned to face her, and a delicious shudder heated her body. Abbey’s heart fluttered wildly beneath her breast. Abbey closed her eyes as Ann took her into her arms and pressed Abbey against the mahogany desk.

“I…uh…” Abbey’s words were muffled by Ann’s soft, gentle kiss. Their kisses became more fervent. Ann’s hands slipped under Abbey’s mesh tank top and gently skimmed over Abbey’s cotton bra, brushing the tops of Abbey’s breasts with the tips of her fingers. Abbey moaned into Ann’s mouth, which seemed to fuel Ann’s passion even more.

 Ann lifted the mesh shirt over Abbey’s head. She reached around Abbey’s back and unhooked her bra with one hand, letting the straps fall down Abbey’s arms. Ann gazed at Abbey. “You are so beautiful.”

Abbey felt her face flush with desire. She looked down, suddenly feeling awkward, timid, and unable to meet Ann’s gaze. “I’ve never done anything like this,” she said in a soft and low voice. “I’m not sure I know what to do.”

Ann pulled Abbey close and kissed her again. The kiss was slow and sweet, and Abbey could feel its effects from her head to her toes. After the kiss, Ann stepped back and admired Abbey’s beauty.

Abbey’s skin felt hot as Ann gazed at her. Her exposed nipples hardened, and Abbey tried to cover herself with her arms. Ann gently touched her arm. “Don’t hide yourself. There’s nothing to be ashamed of. You’re beautiful.”

Abbey lowered her arms. As she did, Ann leaned down and lovingly kissed Abbey’s breasts.

Fireworks went off in Abbey’s brain, as well as another part of her body. Her legs felt weak. She scooted backward and sat on top of Ann’s desk. She laid her head back and reveled in the glorious sensations she felt throughout her body. This was like nothing she had ever felt before.

Now lost in the sensations of lust, Abbey reached for Ann and slowly unbuttoned her crisp oxford shirt. She pushed the fabric aside, and her breath caught in her throat. Never had she been this close to another woman, especially in this way.

A wave of guilt passed over her, and Abbey looked away. Ann leaned forward and kissed Abbey on the forehead. “It’s okay to touch me. I won’t break.”

Abbey reached out and ran her hands gently over the tops of Ann’s small firm breasts. Feeling braver, Abbey slipped her fingers under the silky fabric of Ann’s satin bra. A soft moan slipped from Ann’s lips as Abbey’s cool fingers brushed her taut nipples, fueling the fire that burned beneath Abbey’s skin. Ann’s mouth covered Abbey’s hungrily. Her kisses sent spirals of ecstasy through Abbey’s body. Abbey was shocked at her own eager response to Ann’s kisses.

Ann’s hands gently traced down Abbey’s shoulders and arms. Ann’s body trembled as she took Abbey’s hand and slid it down the front of her slacks. “See what you do to me,” she whispered into Abbey’s ear.

Abbey almost fainted as she felt the soft, warm wetness of Ann’s desire.

Ann gently laid Abbey down on the desk where they made love until the golden rays of first morning light came through Ann’s office windows.

Abbey would never forget that night. Or the many nights after that, where she and Ann would steal away and spend precious time alone together. Abbey knew what they were doing was wrong, but it felt so right.

 Abbey truly admired Ann and felt privileged to have her attention. And the fact that Ann picked her over everyone else sent Abbey over the moon. It made her feel so alive being next to Ann in the classroom and thinking about how a few hours earlier she had had sex with her in her office or woken up in her arms that morning. Those thoughts never ceased to thrill her.

Ann, however, made it clear to Abbey that, because of the nature of their relationship, no one could ever find out about them, and Abbey agreed. Abbey would agree to just about anything right then. As long as she could be with Ann, nothing else mattered. Abbey wanted to tell the world that she was in love, but in her heart, she knew what damage it might do to Ann’s career.

In spite of the secrecy, their relationship survived and thrived the four years Abbey spent at Mercyhurst. During her junior and senior years, Abbey signed on as Ann’s teaching assistant, so to the outside world, their being together looked even more legitimate. No one thought anything of it when Abbey graduated magna cum laude and Ann surprised her with a two-week trip to Italy as a graduation present.

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Abbey was left by Ann, who choose to experiment a new relationship with Dean Jackson Price and throws Abbey out of her live, but after a short time she realizes that this new relationship will involve new responsabilities for her, like taking care of Jackson’s children and Ann didn’t liked to lose, she didn’t want to lose Abbey for selfish reasons as Abbey was exactly as she had wanted : her human puppy dog.  Abbey was still in love with with Ann and wanted her back and she knew Hayden could do better than her, she is still underestimating herself by taking the second choice : Ann, and while she brakes up with Hayden, Ann shows up incredibly cruel, by embarrassing Abbey in front of Hayden and making Hayden incredibly uncomfortable and also, she takes a picture of Abbey kissing Hayden on her cheek. Abbey doesn’t want to go back to Ann, yet Ann threatens her she will show that picture to Abbey’s school council and make it so that Abbey loses her job and becomes all to dependable on Ann. Abbey is stunned and terrified by Ann’s reaction and she is dragged into an outrageous scandal and trial, which also involves Hayden, both are being set on trial and their sexuality is now open. Abbey, Hayden and Ann are asked to testify, Hayden has to ensure the judge she initiated the kiss and the relationship, as she was under aged (almost 18 years old) and that Abbey is innocent. Ann declares that Abbey’s relationship with Hayden is unethical, yet she get’s involved in the trial’s swirl and her relationship with Abbey is now obvious and her sexuality is open now, things she wanted so much to keep be kept a secret, in the past. Ann loses Abbey and the situation with Jackson is now obvious, not being love of experimental, but taking advantage of. Abbey loses her job, yet she is now free of Ann, free of everything as everyone knows now her being a lesbian  (she felt so captive as she had to keep her relationship with Ann a secret for the sake of Ann’s position at the University).

„As Abbey stepped outside into the bright fall afternoon, sunlight beams seemed to ignite the orange and red maple trees that lined the sidewalk. Abbey’s breath caught in her throat when she saw Ann standing at the end of the sidewalk. Abbey averted her eyes and tried to walk quickly past her, hoping to get to her car before Ann could reach her.

As soon as Ann saw her, she ran up to Abbey and blocked her path. “Abbey, we need to talk.”

“I have nothing to say to you. Please get out of my way.” Abbey tried to shoulder her way past Ann.

“Abbey, please.” Ann grabbed her by the arm.

“Get your hands off of me!” Abbey wrestled her arm from Ann’s grasp.

“Look, I’m sorry. You’ve got to believe I never meant for this to get so out of hand.”

Abbey stopped dead in her tracks. “Sorry? You’re sorry? Really? Let me tell you about sorry. I’m sorry I ever met you.  Had I realized what a selfish, controlling, manipulative human being you were, I would have never wasted my time with you.”

Abbey took a minute to catch her breath and pull herself together. She was determined not to cry. “I loved you, Ann. I loved you with all my heart and you threw that away. I would have done anything for you, but you used me like you used everyone else who comes in contact with you. You know, when we were together, I always felt like I was inferior to you. You were the highly educated professor, and I was the lowly high school English teacher. And when I was your student, every word you said to me was golden. I idolized you. But when I look back at everything we’ve been through, I realize it was all part of your little game. I hope you’re happy that you’ve succeeded in destroying my life, but you know what, you won’t come out of this mess unscathed. The truth about you is finally out. I wonder how the powers that be at Mercyhurst will feel about you now? You’re a user, Ann. You’re mean and selfish and you use people for your own amusement. Hell, my mother even saw it.””

This trial is an amazing example on how harmful  the lack of freedom is, of how our own insecurities, fear of what others think of us can take away all we have for the moment, yet actually the society has to change and acknowledge equal rights of love, equal rights on how love should be, heterosexual or homosexual, it doesn’t really matter, the right to love is universal and it shouldn’t affect professional lives nor the right to love openly whom we want. The cliche of a student being in love with a teacher is an amazing example on how flexible and fluid  love is and how age is just a number and knowing how hard it is to find the right love is, the cliche starts to melt and love is love, and that’s it!

Bloomington-lesbian teacher and student

„” Tears streamed down Hayden’s cheeks as she left Abbey’s hotel. That afternoon’s events only confirmed that what she had perceived to have been the most beautiful experience of her life had turned out to be the most painful. She didn’t want to go home yet because she didn’t want to face Calli, who would ask her a thousand questions. She drove to Presque Isle to the spot where she and Abbey were the previous night…before everything fell apart.

Hayden sat behind the wheel of the Civic and looked out at the lake. It was windy and the white caps were breaking on the shore. Hayden closed her eyes, reliving the pain of that final scene when Abbey told her what they did was wrong. It didn’t feel wrong to her.

She thought about Ann and the awful things she said to her and Abbey. How could you claim to love someone and treat her so badly? Why did love have to hurt so much? Wasn’t it supposed to be the most wonderful thing that could happen to you?

A police car slowly drove by. Not wanting any further contact with the Presque Isle police, Hayden put the car in gear and headed home. When she got there, she was relieved to find that Calli wasn’t there. Finally, she could have some peace and quiet. She made herself a cup of tea and retired to her bedroom. She tried to read but didn’t comprehend a thing. She couldn’t stop thinking about Abbey. How could Abbey have been so close to that woman who treated her so bad? Ann seemed like a big bully and what right did she have to treat her and Abbey the way she did? And just because she was young didn’t mean her feelings didn’t count.

Enough of this pity party, Hayden thought. Even if Abbey and I aren’t meant to be together, there is no way I’m going to allow her to be treated that way. Anger gave her courage as she got back in the car and headed to Abbey’s hotel.”

Abbey and Hayden meet again after some time at Cali and Joey’s wedding in lesbiantown of Provincetown. Abbey is afraid of flight and holds on tight to Hayden, while Hayden’s eyes never cease to leave Abbey, Hayden is still in love with Abbey and always will, as she is a dream to come true.

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„„As Abbey stepped outside into the bright fall afternoon, sunlight beams seemed to ignite the orange and red maple trees that lined the sidewalk. Abbey’s breath caught in her throat when she saw Ann standing at the end of the sidewalk. Abbey averted her eyes and tried to walk quickly past her, hoping to get to her car before Ann could reach her.

As soon as Ann saw her, she ran up to Abbey and blocked her path. “Abbey, we need to talk.”

“I have nothing to say to you. Please get out of my way.” Abbey tried to shoulder her way past Ann.

“Abbey, please.” Ann grabbed her by the arm.

“Get your hands off of me!” Abbey wrestled her arm from Ann’s grasp.

“Look, I’m sorry. You’ve got to believe I never meant for this to get so out of hand.”

Abbey stopped dead in her tracks. “Sorry? You’re sorry? Really? Let me tell you about sorry. I’m sorry I ever met you.  Had I realized what a selfish, controlling, manipulative human being you were, I would have never wasted my time with you.”

Abbey took a minute to catch her breath and pull herself together. She was determined not to cry. “I loved you, Ann. I loved you with all my heart and you threw that away. I would have done anything for you, but you used me like you used everyone else who comes in contact with you. You know, when we were together, I always felt like I was inferior to you. You were the highly educated professor, and I was the lowly high school English teacher. And when I was your student, every word you said to me was golden. I idolized you. But when I look back at everything we’ve been through, I realize it was all part of your little game. I hope you’re happy that you’ve succeeded in destroying my life, but you know what, you won’t come out of this mess unscathed. The truth about you is finally out. I wonder how the powers that be at Mercyhurst will feel about you now? You’re a user, Ann. You’re mean and selfish and you use people for your own amusement. Hell, my mother even saw it.””

We don’t really find out how Abbey and Hayden will find love and how they will fit in together, but it is obvious that Abbey will have a teaching job in Provincetown and Hayden will follow.

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„“Abbey, is that you?”

Abbey turned around. As their eyes met, Abbey felt a shock run through her.

“Hayden? What are you doing here?”

Hayden’s face split into a wide grin. “I’m heading to Provincetown.” Hayden showed Abbey her red plastic boarding pass with a big number six in the middle. “Calli and Jo are getting married this weekend. They’ve asked me to be in their wedding.”

“They’re getting married? Really?”

“Yes, they’ve been together almost two years. They moved to Provincetown last summer. Jo got a job at an art gallery on Commercial Street, and Calli is taking art classes at Cape Cod Community College and waitressing at Bayside Betsy’s. They seem very happy.”

Abbey plopped down into one of the beat-up chrome and black leather seats. “Wow.”

Hayden sat next to her. “So how have you been?” Hayden asked, her voice soft and caring.

Abbey looked at Hayden, and her heart turned over. She was surprised at the tenderness she saw in Hayden’s eyes. An unexpected warmth surged through her.

“I’m doing okay.” Abbey smiled. “I’m on my way to Provincetown, too. I have a job interview at Provincetown High School for a teaching position.”

Hayden grabbed Abbey’s arm. “Abbey, that’s great!” Hayden’s face flushed. She let go of Abbey’s arm, afraid she may have done something inappropriate.

Abbey reached out and touched Hayden’s hand. Hayden looked up and Abbey smiled. “Yes, it is great. I finally feel like I’m getting my life back in order. So how are you doing? How’s school going?”

“I really like it. Made the dean’s list three semesters in a row.”

“Atta girl. See, I knew nursing would be your niche.”

Hayden looked down. “I don’t think I would have gotten there without you. Thank you…for everything.”

“Hey, you’re the one doing the work. You got yourself there. I had little to do with it.”

The two women returned to the waiting area with two huge cups of Starbucks coffee and the biggest cinnamon rolls Abbey had ever seen.

“Hello.” Both women smiled at Hayden and Abbey. “You headed to P-town?” one of the women asked.

“Yes,” Abbey said. “Is that where you’re going?”

“Yes, we live there. I’m Connie, and this is my wife, Kathy.”

“It’s nice to meet you. I’m Abbey, and this is Hayden.””

An easy read and a great lesson of love, betrail, coming out and settling in. Loved Hayden’s innocence, first love and the butterflies in her stomach, also enjoyed Abby’s strength to fight against Ann and the society and the courage to find her way again, and a new love again next to Hayden, not so much younger yet.

blomington jackie and catherine

Gypsy 2017 – The great Naomi Watts shows many faces and a lesbian love

There are certain actresses that I expect to do what Naomi Watts has done in Gypsy, mainly to play a lesbian love affair or a lesbian character so realistic as she does, for she has “antecedents” – Mulholland Drive (2001)

mullholand drive Naomi Watts

“I asked her if she would diagnose Jean as having a disorder,” Rubin said. “But she said everybody falls on different spectrums of different disorders, and she didn’t think Jean was diagnosable, and I agree. This is not a story about a woman with a mental illness . . . we’re all capable of doing dark or bad things. Most people are not good or bad; they fall in the gray and do bad things. And showing women [on screen] who are always nurturing, good, or likable is not being honest.

“I used to believe that people determined their own lives. We were in control, commanding our futures,

choosing our spouses, picking professions,responsible for the decisions that shape the course of our lives. 

And yet, there is one force more powerful than free will. Our unconscious. Underneath the suits, behind closed doors, we’re all ruled by the same desires. And those desires can be raw and dark and deeply shameful.

The more you watch someone, the more you realize, we are never really who we say we are.

In fact, hidden underneath, there’s always a secret. We might actually be someone else.

The great Naomi Watts is  Jean Holloway, a therapist, mother, and loving wife to her husband, Michael (Billy Crudup) in Gypsy, the series follows as Jean creates the character of Diane, a single journalist whom she inhabits to unethically involve herself in the lives of her patients. Her transformation, the impetus of this unhinged act is a host of repressed sexual and professional yearnings that she indulges (along with much bourbon) as a distinctly troubling type of escapism creates an amazing piece of a character.

Naomi Watts Gypsy 2017

At first, her actions are explicitly tied to one patient: Sam (Karl Glusman), who is obsessed with Sidney (Sophie Cookson), his ex-girlfriend and a local bartender. In an early scene in one of their sessions, he describes being consumed by his desires for Sidney, being unable to think of anything but her and what she makes and made him feel. And what Jean seems to want in creating Diane is to feel that kind of passion for herself, as the day-to-day nuisances of play dates, other school mothers, her oft-rigid colleagues, and domestic duties have become the center of her existence. Her increasing dependence on alcohol is at once an enabling force and a reflection of what she seeks to feel when she begins to follow and flirt with Sidney.

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Jean is working to solve the problems of her patients via extreme breaches in trust in an attempt to avoid confronting her own disquiet with the peaceful existence she’s built for herself. Watts, moving and nuanced as much in her silences as her speeches, is careful to not show Jean as completely indifferent to her marital life. She clearly cares about being a mother and a wife but she’s been feeling an impersonality toward her family, as well as her career, that has driven her toward more radical means of feeling noticed and desired. Watts makes the character a study in the neglected id returning to overtake the unending routines of professional and family life — the intimate impulse of wanting to destroy any semblance of personal stability. As such, one could even argue that Gypsy is a kind of horror series without the copious blood and outlandish violence.

The increasing lack of control that Jean feels and her impulsive seeking of satisfaction of any kind never comes through in Taylor-Johnson’s compositions or in Rubin’s dialogue. As such, we never quite get a handle on the pleasure, rush, and instability of what she’s doing, nor do we fully understand how that affects Michael or their daughter.

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The danger in remaining professional is that one can also feel at a distance from the work and render one unable to find useful solutions to personal problems. For Jean, this leads to crippling frustration and an overwhelming feeling of uselessness, which pushes her toward the creation of Diane and the relationship she begins to build with Sidney. And by becoming personally involved in her patients’ lives, she denies them a crucial sense of control and freedom to speak without fear of being exploited, a situation that is primed for chaos that never quite came in the first four episodes but looks to be inevitably in the cards.

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In essence, the series allows Rubin, Watts, and Taylor-Johnson to consider and criticize their own personal connections to their own work, employment that often requires them to be at a distance from their material to allow for producers and other interests to have their (mostly) appropriate say. And as all three chief creative forces behind Gypsy are women, there is an essential focus on how the simple fact of being a woman can drastically affect how you are criticized and managed by men. It’s an element that should have been pushed further throughout the run of Gypsy, which might have made for a great movie but settles as an engaging, wise series. Nevertheless, in a marketplace short on ambitious shows made by and for women, Gypsy finds fertile ground for an exploration of the chaotic impasse between roiling inner desires and the false yet requisite veneer of stability that society often calls for without knowing the real cost.

A must see Psychothriller with a glimpse of softness :

Sources :

Netflix  &

http://collider.com/gypsy-review-netflix/#images

 

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